The Revenant | |
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Directed by | Alejandro G. Iñárritu |
Produced by |
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Screenplay by | |
Based on | The Revenant by Michael Punke |
Starring | |
Music by | |
Cinematography | Emmanuel Lubezki |
Edited by | Stephen Mirrione |
Production companies |
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Distributed by | 20th Century Fox |
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156 minutes[1] | |
Country | United States[2] |
Language | English |
Budget | $135 million[3] |
Box office | $533 million[4] |
The Revenant is a 2015 American semi-biographical[5][6]epic[7][8]western film directed by Alejandro González Iñárritu. The screenplay by Mark L. Smith and Iñárritu is based in part on Michael Punke's 2002 novel of the same name, describing frontiersmanHugh Glass's experiences in 1823. That novel is in turn based on the 1915 poem The Song of Hugh Glass. The film stars Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson, and Will Poulter.
Development began in August 2001 when producer Akiva Goldsman purchased Punke's manuscript. Iñárritu signed on to direct in August 2011 and in April 2014, after several delays due to other projects, Iñárritu confirmed that he was beginning work on The Revenant and that DiCaprio would play the lead role. Principal photography began in October 2014. Location and crew concerns delayed the film from May to August 2015.
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The Revenant premiered at the TCL Chinese Theatre on December 16, 2015, and had a limited release on December 25, expanding on January 8, 2016. The film received largely positive reviews, and praise for its performances (particularly from DiCaprio and Hardy), direction, and cinematography. It won three Golden Globe Awards and five BAFTA Awards. At the 88th Academy Awards, the film received 12 nominations, including Best Picture and Best Supporting Actor (Hardy), winning Best Director (Iñárritu), Best Actor (DiCaprio), and Best Cinematography (Emmanuel Lubezki). DiCaprio also won the Golden Globe, Screen Actors Guild Award, BAFTA, and Critics' Choice Award for Best Actor.
- 3Production
- 5Historical accuracy
- 6Release
- 7Reception
Plot[edit]
In late 1823, Hugh Glass guides Andrew Henry's trappers through unorganized territory. While he and his half-Pawnee son, Hawk, are hunting, the company's camp is attacked by an Arikara war party seeking to recover their Chief's abducted daughter. Guided by Glass, the survivors travel on foot to Fort Kiowa, as he believes traveling downriver will make them vulnerable. After docking, the crew stashes the pelts near the shore.
While scouting game, Glass is attacked by a grizzly bear and left near death. Trapper John Fitzgerald, fearful of another Arikara attack, argues that the group must mercy-kill Glass and keep moving. Henry agrees, but is unable to pull the trigger; instead, he offers money for someone to stay with Glass and bury him after his death. When the only volunteers are Hawk and the young Jim Bridger, Fitzgerald agrees to stay for money, to recoup his losses from the abandoned pelts.
After the others leave, Fitzgerald attempts to smother Glass but is discovered by Hawk. Fitzgerald, concerned that Hawk's loud reaction to him attempting to kill Glass could alert the Arikara, stabs Hawk to death as Glass watches helplessly. The next morning, Fitzgerald convinces Bridger, who didn't know that Fitzgerald had killed Hawk, that the Arikara are approaching and they must abandon Glass. Bridger protests at first, but then follows Fitzgerald after the latter leaves Glass half-buried alive in a make-shift grave. After they depart, Fitzgerald admits he lied about the Arikara approaching. When Fitzgerald and Bridger later meet Henry at the fort, Fitzgerald tells him that Glass died and Hawk vanished. Bridger is complicit in the lie about Glass's death, even while he knew nothing of Hawk's.
Glass begins an arduous journey through the wilderness. He performs crude self-surgery and eludes the pursuing Arikara who are looking for the Chief Elk Dog's kidnapped daughter, Powaqa. Glass encounters Pawnee refugee Hikuc, who says that 'revenge is in the Creator's hands.' The men share bison meat and travel together. After a hallucinogenic experience, Glass discovers Hikuc hanged by French hunters. He infiltrates their camp and sees the leader raping Powaqa. He frees her, kills two hunters, and recovers Hikuc's horse, leaving his own canteen behind. The next morning, Glass is ambushed by the Arikara and driven over a cliff on his horse. He survives the stormy night by eviscerating the horse and sheltering inside its carcass.
A French survivor staggers into Fort Kiowa and Bridger recognizes his canteen as Glass's. Believing it stolen, Henry organizes a search party. Fitzgerald, realizing Glass is alive, empties the outpost's safe and flees. The search party finds the exhausted Glass. Furious, Henry orders Bridger arrested, but Glass vouches that Bridger wasn't present when Fitzgerald murdered Hawk, and was later deceived by the higher-ranking Fitzgerald. Glass and Henry set out in pursuit of Fitzgerald.
After the two split up, Fitzgerald ambushes, kills and scalps Henry. Glass uses Henry's corpse on his horse as a decoy and shoots Fitzgerald in the arm. He pursues Fitzgerald to a riverbank where they engage in a brutal fight. Glass is about to kill Fitzgerald, but spots a band of Arikara downstream. He remembers Hikuc's words and pushes Fitzgerald downstream into the hands of the Arikara. Elk Dog kills and scalps Fitzgerald and the Arikara (having found Powaqa) spare Glass. Heavily wounded, Glass retreats into the mountains where he is visited by the spirit of his wife.
Cast[edit]
- Leonardo DiCaprio as Hugh Glass
- Tom Hardy as John Fitzgerald
- Domhnall Gleeson as Andrew Henry
- Will Poulter as Jim Bridger
- Forrest Goodluck as Hawk
- Paul Anderson as Anderson
- Kristoffer Joner as Murphy
- Duane Howard as Elk Dog
- Melaw Nakehk'o as Powaqa
- Arthur Redcloud as Hikuc
- Lukas Haas as Jones
- Brendan Fletcher as Fryman
- Grace Dove as Hugh Glass's wife
Production[edit]
Development and financing[edit]
Development of The Revenant began in August 2001, with producer Akiva Goldsman acquiring the rights to Michael Punke's then-unpublished manuscript.[9] David Rabe had written the film's script.[10] The production was picked up by Park Chan-wook, with Samuel L. Jackson in mind to star. Park later left the project.[11][12] The development stalled until 2010, when Mark L. Smith wrote a new adaptation of the novel for Steve Golin's Anonymous Content. In May 2010, Smith revealed that John Hillcoat was attached to direct the film and that Christian Bale was in negotiation to star the movie.[13] Hillcoat left the project in October 2010.[12]Jean-François Richet was considered to replace him, but Alejandro G. Iñárritu signed on to direct in August 2011.[12][14] Goldsman was also confirmed to be producing with Weed Road Pictures.[14] In November, New Regency Productions joined to produce with Anonymous Content, and 20th Century Fox was confirmed to be distributing the film.[15][16] Days later, Iñárritu stated that he was seeking Leonardo DiCaprio and Sean Penn for the two lead roles.[17]
Once Iñárritu agreed to direct, he began working with Smith on script rewrites. In an interview with Creative Screenwriting, Smith admitted during this process he was unsure if Iñárritu would even be able to film some of the sequences they wrote. He recalled, 'He would have some ideas and I would say, 'Alejandro, we can’t pull this off. It’s not going to work,' and he would say, 'Mark, trust me, we can do this.' In the end, he was right.'[18]
The film was put on hold in March 2012, as New Regency hired Iñárritu to direct an adaptation of Flim-Flam Man, Jennifer Vogel's non-fiction book about her criminal father.[19] Penn was also under consideration for the lead role in that film.[20] In December 2012, Iñárritu announced that his next film would be Birdman or (The Unexpected Virtue of Ignorance), a comedy-drama about an actor who once played a famous superhero. For his work, Iñárritu won the Oscar for Best Director and Best Original Screenplay, and the film won Best Picture. Filming took place in March 2013.[21] Iñárritu was scheduled to begin production on The Revenant after Birdmanwrapped.[22]
The film was granted a production budget of $60 million, with $30 million funded by New Regency. Brett Ratner's RatPac-Dune Entertainment, a joint venture between Ratner's RatPac Entertainment and 20th Century Fox's former financing partner, Dune Entertainment, also funded the film.[15]Worldview Entertainment, who also co-financed Birdman, was originally set to fund the film but backed out in July 2014 due to the departure of its CEO, Christopher Woodrow.[15][22][23] New Regency approached 20th Century Fox for additional funding, but the company declined, citing the pay-or-play contracts made for both DiCaprio and Tom Hardy, which would require that the actors be paid regardless of whether the film is completed.[23]Annapurna Pictures' Megan Ellison entered negotiations to finance the film shortly after.[15][23] The Chinese company Guangdong Alpha Animation and Culture Company partially financed the film.[24]
Filming[edit]
Principal photography for The Revenant began in October 2014.[25] A planned two-week break from filming in December was extended to six weeks which forced Tom Hardy to drop out of Suicide Squad. In February 2015, Iñárritu, who shot the film using natural lighting, stated that production would last 'until the end of April or May', as the crew is 'shooting in such remote far-away locations that, by the time we arrive and have to return, we have already spent 40% of the day'.[26][27][28] Brad Weston, president and CEO of New Regency Pictures, stated that principal photography had been challenging due to the ambitious nature of the film. Ultimately, principal photography wrapped in August 2015.[29]
The film was shot in twelve locations in three countries: Canada, the United States, and Argentina.[30] In Canada, filming took place in Calgary and Fortress Mountain in Alberta, in Kananaskis Country west of Calgary, the Badlands near Drumheller, and at Squamish and Mammoth Studios, Burnaby, in British Columbia.[30] The scenes in the waterfall were filmed at the Kootenai Falls near Libby, Montana. While the initial plan was to film entirely in Canada, the weather was ultimately too warm, leading the filmmakers to locations near the Rio Olivia at the tip of Argentina with snow on the ground, to shoot the film's ending.[25][31]
Crew members often complained about difficult shoots, with many quitting or being fired. Mary Parent was then brought in as a producer.[25] Iñárritu stated that some of the crew members had left the film, explaining that 'as a director, if I identify a violin that is out of tune, I have to take that from the orchestra.' On his experience filming, DiCaprio stated: 'I can name 30 or 40 sequences that were some of the most difficult things I’ve ever had to do. Whether it’s going in and out of frozen rivers, or sleeping in animal carcasses, or what I ate on set. [I was] enduring freezing cold and possible hypothermia constantly.'[32][33]
Iñárritu had stated that he originally wanted to shoot the film chronologically, a process that would have added $7 million to the film's production budget.[34] Iñárritu later confirmed that the film was shot in sequence, despite Hardy's statement that the film could not be shot chronologically, due to weather conditions.[35][36]
In July 2015, it was reported that the film's budget had ballooned from the original $60 million to $95 million, and by the time production wrapped it had reached $135 million.[3]
Visual effects[edit]
The visual effects for The Revenant were produced primarily by Industrial Light & Magic (ILM). Other companies, such as Moving Picture Company (MPC) and Cinesite, also created visual effects for the film.[37]
Music[edit]
The musical score for The Revenant was composed by Japanese musician Ryuichi Sakamoto and German electronic musician Alva Noto with additional music composed by Bryce Dessner.[38] The main body of the score was recorded at the Seattlemusic Scoring Stage in the Bastyr Chapel in greater Seattle, Washington by musicians of the Northwest Sinfonia. Sakamoto conducted these sessions. Bryce Dessner's portion of the score was performed by the 25-piece Berlin-based orchestra known as 's t a r g a z e' under conductor André de Ridder.[39][40] Additional licensed music includes 'Become Ocean', the Pulitzer Prize and Grammy Award-winning work of John Luther Adams as recorded by the Seattle Symphony with conductor Ludovic Morlot and an excerpt of 'Jetsun Mila' from French musician and composer Eliane Radigue.[41] A soundtrack album was released digitally on December 25, 2015, and on CD on January 8, 2016. Milan Records released a vinyl pressing of the soundtrack in April 2016.[40]
The score by Sakamoto and Noto was ruled ineligible for the Academy Award for Best Original Score at the 2016 Oscars as it was deemed that it was 'assembled from the music of more than one composer'.[42]
Documentary[edit]
The film was accompanied by a 44-minute documentary, named A World Unseen, highlighting the process of making the production. A World Unseen was released on January 21, 2016, on YouTube; both the date and medium of the documentary's release made it ineligible for the Academy Award for Best Documentary (Short Subject) in the same year as the film nomination.[43][44]
Themes[edit]
In the Los Angeles Review of Books, film critic Wai Chee Dimock compared The Revenant's themes with those addressed in the literary works of James Fenimore Cooper, particularly The Last of the Mohicans. Dimock argues that the film re-interprets the concept of 'half-breeds' from a derogatory idea that Cooper despised to an aesthetic way in which to see the world. She compared both works' protagonists—Glass and Hawk-eye—as literary foils, with Glass living an inversion of the latter's biography and perspective.[45]
In the documentary of the film titled A World Unseen, Iñárritu has stated that for the main themes of the film he revisits the issues and concerns of intense parental and filial relations, which audiences of his previous films readily recognize as a recurrent theme in his previous work. Regarding the theme of revenge seen throughout The Revenant, Iñárritu has stated that the approach of vengeance seen in the film needs to be significantly tempered by anyone who would want to see vengeance as either an effective or useful moral to be applied in life. In the end, Iñárritu states, there can only be disappointment and lack of fulfillment for anyone who looks to revenge as providing a higher purpose for living or a life defining purpose.[43][44]
Historical accuracy[edit]
The Guardian reported, 'The backstory about Glass’s love for a Pawnee woman is fiction. It has been suggested the real Glass had such a relationship, but there’s no firm evidence—and no evidence that he had any children. .. As for the ending, it has been changed in one significant way: in real life, nobody got killed.'[46]
Canadian actor Roy Dupuis was strongly critical of the movie for portraying French-Canadianvoyageurs as murderous rapists. Dupuis was originally offered a role as a voyageur, but he rejected it due to perceptions of anti-French bias and historical inaccuracies.[47][48][49][50] According to Allan Greer, the Canada Research Chair in Colonial North America, 'generally the American traders had a worse reputation than the Canadians.'[47]
Iñárritu has made a special point of emphasizing the importance of historical issues of ethnicity approached in the film and reflected in the mixed ethnic background of Hugh Glass's son portrayed in the film (portrayed as half Pawnee by Glass's wife) as relating to his own life and his identification with ethnic concerns. Iñárritu has referred to having encountered constant xenophobia and stated that: 'These constant and relentless xenophobic (comments) have been widely spread by the media without shame, embraced and cheered by leaders and communities around the U.S. The foundation of all this is so outrageous that it can easily be minimized as an SNL sketch, a mere entertainment, a joke .. I debated with myself, if I should bring up this uncomfortable subject tonight but in light of the constant and relentless xenophobic comments that have been expressed recently against my Mexican fellows, it is inevitable.'[51]
Native American culture[edit]
In order to portray Arikara culture accurately, Iñárritu hired several cultural consultants[52][53] and teamed up with two linguists to provide faithful Arikara and Pawnee language lines for actors.[54][55] Hikuc, the Pawnee man who helps Glass survive, is played by a Navajo actor.[56]
However, in one scene, a Pawnee character rescuing Glass is accompanied by a voiceover in Inupiaq[why?], which is spoken in Arctic Alaska, thousands of miles away and a different language family from Pawnee. The voiceover was a recording of Doreen Nutaaq Simmonds[57] reading a poem from a John Luther Adams recording; the words originally came from an Inuit woman named Uvavnuk, an angakkuq (shaman) and oral poet.[58]
Release[edit]
The Revenant had a limited release in the United States on December 25, 2015, including Los Angeles—making it eligible for the 88th Academy Awards—before being released nationwide on January 8, 2016.[59][60] The film opened in Australia on January 7, 2016 and in the United Kingdom on January 15, 2016.[61][62] In the Philippines, the film's release date was originally set for January 27, 2016, but it was eventually delayed a week to February 3, 2016.[63][64] Although studios initially chose not to pursue a theatrical release in China, following the film's three wins at the 88th Academy Awards on February 28, 2016, the film was granted a release in China but with several cuts.[65] It was released on March 18, 2016.[24]
Home media[edit]
The DVD, Blu-ray and 4K Ultra HD Blu-ray were released on April 19, 2016 in the US.[66] Opening sales of the DVD along with on-line streaming orders placed The Revenant as number one in sales at Amazon.[67] Distribution to major rental outlets in the US was done on May 17, 2016.[68]
Piracy[edit]
On December 20, 2015, less than a week before its release, screener copies of The Revenant and numerous Oscar contenders, including The Hateful Eight, Creed and Straight Outta Compton, were uploaded to many websites. The FBI linked the case to co-CEO Andrew Kosove of Alcon Entertainment. Kosove claimed that he had 'never seen this DVD[s]', and that 'it never touched his hands.'[69] In October 2016, a former 20th Century Fox employee was fined $1.12 million in a separate case for uploading both The Revenant and The Peanuts Movie online.[70]
Reception[edit]
Box office[edit]
The Revenant grossed $183.6 million in the United States and Canada and $349.3 million in other countries for a worldwide total of $533 million, against a production budget of $135 million.[4]Deadline Hollywood calculated the net profit of the film to be $61.6 million, when factoring together all expenses and revenues.[71]
In North America, The Revenant opened in limited release on December 25, 2015, and over the weekend grossed $474,560 from four theaters in New York City and Los Angeles ($118,640 per screen), finishing twenty-third at the box office.[72] It was the second-biggest theater average of 2015 behind the $130,000 four-screen debut of Steve Jobs.[73] The film earned a total of $1.6 million from its two-week limited run before expanding wide on January 8, 2016, across 3,371 theaters.[74][75]
It made $2.3 million from its early Thursday preview showings from 2,510 theaters.[74] On its opening day, the film earned $14.4 million, ranking first at the box office.[76] The film grossed $39.8 million in its opening weekend from 3,375 theaters, exceeding initial projections by 70%, and finishing second at the box office behind Star Wars: The Force Awakens ($42.4 million), which was on its fourth weekend of play. It was the director's biggest opening of all-time, and the fourth-biggest for DiCaprio and supporting actor Tom Hardy.[77] Critics noted that The Force Awakens had an advantage, considering that it was playing at 781 more theaters, that Sunday matinees are family-friendly, and since it had the benefit of playing in all North American IMAX theaters.[77] Nevertheless, The Revenant played very balanced across the U.S. and overperformed in all states except the Northeast region.[77] Its wide release weekend is among the top openings in the month of January.[78] It topped the box office in its fifth weekend overall and third weekend in wide release after competing with Ride Along 2 in its second weekend. It added a $16 million in its third weekend, which was down 49.7% but topped the box office, despite a blizzard blanketing most of the East Coast which reportedly hurt many films' box office performance.[79][80][81][82] The following weekend it was overtaken by Fox's own animated movie Kung Fu Panda 3 thereby topping the box office for one weekend.[83] Following the announcement of the Oscar nominees on January 14, The Revenant witnessed the biggest boost among the Best Picture category, jumping from $54.1 million to $170.5 million, an increase of +215% up to the Oscar ceremony in the weekend ending February 28.[84]
Outside North America, the film secured a release in 78 countries.[85] It made $20.5 million from 2,407 screens in just 18 markets, placing behind The Force Awakens at the international box office chart and first among newly released films.[86] The following weekend, it added $32.3 million from 25 markets on 4,849 screens.[85] The film topped the international box office in its third weekend—the same weekend when it topped the U.S. box office—overtaking The Force Awakens with $33.7 million from 48 markets.[87] In the United Kingdom and Ireland, it took the No. 1 spot with $7.87 million or £5.2 million ($7.4 million) from 589 theaters and remained there for a second weekend declining by 24% with £3.86 million ($5.5 million), as well as for a third weekend.[85][88][89][90][91] Similarly, in Russia, it passed The Force Awakens to take the top spot with $7.5 million from 1,063 screens.[86] In France, it has the biggest opening day in Paris and the third biggest opening weekend of 2016 with $8.2 million.[92] It also opened at No. 1 in Mexico ($5.1 million), Spain ($4 million), the Netherlands ($1.3 million), Belgium ($1.1 million), Argentina ($955,000), Sweden ($914,000), South Korea, Denmark, Norway, Israel, Egypt and Portugal among other markets.[85][87][90][93] In Germany ($4.6 million) and Australia ($2.9 million), it debuted at No. 2 both behind The Force Awakens and in Brazil ($2.17 million) behind The Ten Commandments.[86][93] It had one of the top ten openings of all time for a Fox film, not accounting for inflation in South Korea with $5.7 million and went on to top the box office there for a second weekend with $3.22 million despite cold weather affecting theater attendance resulting in low box office performance.[94][95] In Russia, despite not opening at No. 1, it topped the box office in its second weekend with $4.4 million—more than The Force Awakens—and went on to top for a third weekend with $3.6 million.[85][96] In China it had an opening day of around $11 million from more than 11,000 screens, including $250,000 in midnight previews, and $23 million in two days.[97][98][99] In its opening weekend, it grossed $31 million, coming in second place behind the animated Zootopia. IMAX comprised $2.3 million on 278 screens.[100] In terms of total earnings, its largest markets outside of the U.S. and Canada are China ($58.6 million), the United Kingdom ($32.8 million), Germany ($28.7 million) and France ($28.2 million).[101][102] The film opened in Japan on March 23.[92][103]
Critical response[edit]
The Revenant received largely positive reviews from critics, with praise directed towards DiCaprio and Hardy's performances, Iñárritu's direction, and Lubezki's cinematography.[104][105][106][106] However, the film's runtime was criticized.[107] On Rotten Tomatoes, the film has an approval rating of 78%, based on 371 reviews, with an average rating of 7.85/10. The website's critical consensus reads: 'As starkly beautiful as it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel for an absorbing drama that offers punishing challenges — and rich rewards.'[108] On Metacritic, the film has a weighted average score of 76 out of 100, based on 50 critics, indicating 'generally favorable reviews'.[109] Audiences polled by CinemaScore gave the film an average grade of 'B+' on an A+ to F scale, while PostTrak reported audiences gave it an overall positive score of 85% and a 59% 'definite recommend'.[110][111]
Reviewers cited in a CBS News survey of critics highly praised DiCaprio's performance, referring to it as an 'astonishing testament to his commitment to a role' and as an 'anchoring performance of ferocious 200 percent commitment.'[105]Peter Travers of Rolling Stone called DiCaprio's acting 'a virtuoso performance, thrilling in its brute force and silent eloquence.'[112] Writing for NY Magazine/Vulture, David Edelstein called the film a 'tour de force' and '[b]leak as hell but considerably more beautiful,' but noted the film had 'traditional masculinity instead of a search for what illuminates man's inhumanity to man.'
Justin Chang of Variety wrote Iñárritu 'increasingly succumbs to the air of grim overdetermination that has marred much of [his] past work' and it was 'an imposing vision.. but also an inflated and emotionally stunted one.'[105] Stephanie Zacharek, writing for TIME magazine, gave a positive review to the film stating: 'Inarritu may have fashioned The Revenant as the ultimate endurance test, but as Glass, DiCaprio simply endures. He gives the movie a beating heart, offering it up, figuratively speaking, alive and bloody on a platter. It—he—is the most visceral effect in the movie: revenge served warm. Bon Appetite.'[104]Richard Brody of The New Yorker was critical of the film, and said that Emmanuel Lubezki's images were mere 'pictorial ornament[s] to Alejandro G. Iñárritu's bland theatrical stagings.”[113]
Slant Magazine's writer Ed Gonzalez suggested that the Slant staff in large part disliked the film: 'Our contempt for The Revenant knows no limits.'[113] Gonzalez unfavorably compared Iñárritu's work to Terrence Malick's 2005 film The New World. In the official review, Slant writer Jaime N. Christley wrote: 'The Revenant [is] a misery-fest that plants its narrative flags as carelessly as a Roland Emmerich blockbuster, guaranteeing us a viewing experience almost as arduous as the trials depicted on screen, before reaching a conclusion that's sealed the moment audiences first meet the key players. After an obligatory false calm, The Revenant's proper opening scene is a show-stopping massacre at a fur-trapper's campsite. It's the kind of thing Howard Hawks would have handled—and did, in The Big Sky—in under 90 seconds, with mostly off-camera particulars and minimal effects, but Iñárritu forces it to resemble the Normandy Beach sequence in Saving Private Ryan as much as history or sense will allow, and then some.'[114]The Revenant was ranked 22nd on Metacritic's and 79th on Rotten Tomatoes' list of best films of 2015.[115][116][117]
Accolades[edit]
The Revenant has received numerous award nominations and wins, particularly for DiCaprio's performance, Iñárritu's direction and Lubezki's cinematography. At the 88thAnnual Academy Awards, Iñárritu won the Best Director award for the second time in a row, Emmanuel Lubezki won for the third time in a row the award for Best Cinematography and DiCaprio won his first award for Best Actor. Hardy lost the award for Best Supporting Actor to Mark Rylance for Bridge of Spies, and the film itself lost Best Picture to Spotlight.[118]
At the 73rd Golden Globe Awards it won three awards: Best Motion Picture – Drama, Best Director, and Best Actor – Drama. It also had a nomination for Best Original Score.[119] On January 14, 2016, the film received 12 Academy Award nominations (more than any other film at the ceremony), including Best Picture and Best Director for Iñárritu, as well as Best Actor and Best Supporting Actor, for DiCaprio and Hardy, respectively.[120] On February 14, 2016, the film received the most awards at 69th British Academy Film Awards out of eight-nominations, with five, including Best Film, Best Director, Best Cinematography, Best Sound, and Best Leading Actor.[121] It received nine Critics' Choice Awards nominations, winning two – for DiCaprio as Best Actor and Best Cinematography for Lubezki.[122]
Tom Hardy won the Best British Actor award at the London Film Critics' Circle and was runner-up for Best Supporting Actor at Dallas–Fort Worth Film Critics Association.[123][124] DiCaprio was awarded Outstanding Performance by a Male Actor in a Leading Role award at 22nd Screen Actors Guild Awards, while Iñárritu received Outstanding Directing – Feature Film award at 68th Directors Guild of America Awards.[125] It received five Satellite Awards nominations, winning the award of Best Actor for DiCaprio.[126]
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On May 2, 2016, Time magazine included both DiCaprio and Iñárritu in its issue of the 100 Most Influential People of 2015, with a cover photograph of DiCaprio on the magazine. John Kerry, the U.S. Secretary of State, wrote a short testimonial to DiCaprio for this issue of Time stating that DiCaprio's dedication drives him to succeed and 'that's how he takes himself back 200 years to create an Oscar-winning, bear-brawling, powerhouse performance in The Revenant.'[127]
The Revenant Full Movie Download In Hindi Hd
See also[edit]
- Man in the Wilderness, a 1971 Western film loosely based on the Hugh Glass story
- Lord Grizzly, a 1954 biographical novel by Frederick Manfred, about the Hugh Glass story
References[edit]
- ^'The Revenant'. London: British Board of Film Classification. December 28, 2015. Retrieved December 28, 2015.
- ^'The Revenant (2015)'. LUMIERE. Retrieved June 23, 2017.
- ^ abWaxman, Sharon (October 16, 2015). ''The Revenant' Budget Soars to $135 Million As New Regency Foots the Bill (Exclusive)'. TheWrap. Retrieved December 28, 2015.
- ^ ab'The Revenant (2015)'. Box Office Mojo. Retrieved July 4, 2016.
- ^''The Revenant' rules over Oscar nominations list (Roundup)'. Business Insider. January 14, 2016. Retrieved November 24, 2016.
- ^Cauthron, Randy M. (January 14, 2016). 'Randy's Review: 'The Revenant''. The Spencer Daily Reporter. Retrieved November 24, 2016.
- ^Truitt, Brian (December 22, 2015). ''Review' Revenant is a brutal, beautiful epic'. USA Today. Retrieved October 26, 2017.
- ^Pulver, Andrew (December 16, 2015). 'The 50 best films of 2015 in the US – No 3: The Revenant'. The Guardian. Retrieved October 26, 2017.
- ^Vejvoda, Jim 'Stax' (August 9, 2001). 'Akiva Goldsman Mauled by Grizzly!'. IGN.com. Retrieved December 28, 2015.
- ^Kit, Borys (April 15, 2014). 'Leonardo DiCaprio, Alejandro Gonzalez Inarritu Team Up for 'Revenant''. The Hollywood Reporter. Retrieved August 29, 2014.
- ^Han, Angie (June 4, 2014). 'Tom Hardy in Talks for Alejandro González Iñárritu's 'The Revenant''. /Film. Retrieved August 29, 2014.
- ^ abcFranklin, Garth (June 30, 2014). ''Revenant,' 'Orphanage' Dropouts'. Dark Horizons. Retrieved September 4, 2014.
- ^Miska, Brad (May 25, 2010). ''Vacancy' Writer Pens 'Martyrs', Latest John Hillcoat Thriller!'. Bloody Disgusting. Retrieved August 29, 2014.
- ^ abWeinstein, Joshua L. (August 17, 2011). 'Alejandro Gonzalez Inarritu Attached to Direct Warner's 'The Revenant' (Exclusive)'. TheWrap. Retrieved August 29, 2014.
- ^ abcdMcNary, Dave (July 11, 2014). 'Leonardo DiCaprio's Survival Drama 'The Revenant' Attracts Megan Ellison's Annapurna'. Variety. Retrieved August 29, 2014.
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Through April, Leonardo DiCaprio will be shooting in the wilds of Calgary amid the Canadian Rockies playing a fur trapper hunting the men who left him for dead in The Revenant…
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External links[edit]
Wikiquote has quotations related to: The Revenant (2015 film) |
- The Revenant on IMDb
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- The Revenant at AllMovie
- The Revenant at the TCM Movie Database
- The Revenant at History vs. Hollywood
- The Revenant at the Movie Review Query Engine
Directed by
Alejandro G. Iñárritu |
Writing Credits
Mark L. Smith | .. | (screenplay) & |
Alejandro G. Iñárritu | .. | (screenplay) |
Michael Punke | .. | (based in part on the novel by) |
Cast (in credits order) verified as complete
Leonardo DiCaprio | .. | Hugh Glass | |
Tom Hardy | .. | John Fitzgerald | |
Domhnall Gleeson | .. | Captain Andrew Henry | |
Will Poulter | .. | Bridger | |
Forrest Goodluck | .. | Hawk | |
Paul Anderson | .. | Anderson | |
Kristoffer Joner | .. | Murphy | |
Joshua Burge | .. | Stubby Bill | |
Duane Howard | .. | Elk Dog | |
Melaw Nakehk'o | .. | Powaqa | |
Fabrice Adde | .. | Toussaint | |
Arthur RedCloud | .. | Hikuc | |
Christopher Rosamond | .. | Boone (as Christopher Rosamund) | |
Robert Moloney | .. | Dave Stomach Wound | |
Lukas Haas | .. | Jones | |
Brendan Fletcher | .. | Fryman | |
Tyson Wood | .. | Weston | |
McCaleb Burnett | .. | Beckett | |
Vincent Leclerc | .. | French Trapper | |
Stephane Legault | .. | French Trapper | |
Emmanuel Bilodeau | .. | French Interpreter | |
Cole Vandale | .. | Coulter Naked Pale Trapper | |
Tom Guiry | .. | Billy Brother Trapper (as Thomas Guiry) | |
Scott Olynek | .. | Johnnie Brother Trapper | |
Amelia Crow Show | .. | Pregnant Pawnee Woman | |
Peter Strand Rumpel | .. | Scalped Shirtless Trapper | |
Timothy Lyle | .. | Gordon in Shack | |
Kory Grim | .. | Trapper Hatchet in Back | |
Anthony Starlight | .. | Arikara Chief | |
Jamie Medicine Crane | .. | Arikara Crying Woman | |
Veronica Marlowe | .. | Arikara Crying Woman | |
Clarence Hoof | .. | Arikara Healer | |
Dion Little Child | .. | Arikara Warrior | |
Blake Wildcat | .. | Arikara Warrior | |
Paul Young Pine | .. | Arikara Warrior | |
Cody Big Tobacco | .. | Arikara Warrior | |
Dallas Young Pine | .. | Arikara Warrior | |
Chesley Wilson | .. | Arikara Elder | |
Michael Fraser | .. | Trapper Violin Player | |
Scott Duncan | .. | Trapper Violin Player | |
Mariah Old Shoes | .. | Pawnee Prostitute | |
Grace Dove | .. | Wife of Hugh Glass | |
Adrian Glynn McMorran | .. | American Soldier (as Adrian McMorran) | |
Isaiah Tootoosis | .. | Boy Hawk | |
Alex Bisping | .. | Trapper | |
Chris Ippolito | .. | Trapper | |
Jeffrey Olynek | .. | Trapper | |
C. Adam Leigh | .. | Trapper | |
Kevin Corey | .. | Trapper | |
Daniel Rampanen | .. | Trapper | |
Javier Botet | .. | Nightmare Character (as Javier Botet Lopez) | |
Haysam Kadri | .. | Doctor | |
Jordan Crawford | .. | Fort Butcher | |
David Rampanen | .. | Harp Player | |
Rest of cast listed alphabetically: | |||
Rootie J. Boyd | .. | Southern Trapper (uncredited) | |
Dave Burchill | .. | French Trapper (uncredited) | |
Carla | .. | Arikara warrior woman (uncredited) | |
Brad Carter | .. | Johnnie (uncredited) | |
Ray Chase | .. | Southern Trapper (uncredited) | |
Robert Glen Decker | .. | American Soldier (uncredited) | |
Charles Fathy | .. | French Trapper (voice) (uncredited) | |
Troy Fyhn | .. | Trapper (uncredited) | |
Tighe Gill | .. | Young Trapper (uncredited) | |
Mark Krysko | .. | Trapper (uncredited) | |
Stephen Richard Lofstrom | .. | French Trapper (uncredited) | |
T. Michael Morris | .. | Irish Trapper (uncredited) | |
Stefan Rasporich | .. | French Trapper (uncredited) | |
Bruno Stephane | .. | French Trapper (voice) (uncredited) | |
Jay Tavare | .. | Native American Voices (uncredited) | |
AJ Taylor | .. | Trapper (uncredited) | |
Michael Villar | .. | Southern Trapper (uncredited) | |
Jay Cardinal Villeneuve | .. | French Fur Trapper (uncredited) | |
Del Zamora | .. | Native Voices (uncredited) | |
Duff Zayonce | .. | Trapper (uncredited) |
Produced by
Markus Barmettler | .. | executive producer |
Micaela Buye | .. | line producer: Kramer & Sigman Films (as Micky Buye) |
Jennifer Davisson | .. | executive producer |
Alexander Dinelaris | .. | co-producer |
Nicolás Giacobone | .. | co-producer |
Steve Golin | .. | producer |
Alejandro G. Iñárritu | .. | producer |
Douglas Jones | .. | co-producer (as Doug Jones) |
David Kanter | .. | executive producer |
Philip Lee | .. | executive producer |
Arnon Milchan | .. | producer |
Jake Myers | .. | executive producer |
James Packer | .. | executive producer |
Mary Parent | .. | producer |
Brett Ratner | .. | executive producer |
Keith Redmon | .. | producer |
Scott Robertson | .. | co-producer |
Alex G. Scott | .. | co-producer |
James W. Skotchdopole | .. | producer |
Music by
Alva Noto | ||
Ryuichi Sakamoto | .. | (as Ryûichi Sakamoto) |
Cinematography by
Emmanuel Lubezki | .. | director of photography |
Film Editing by
Stephen Mirrione |
Casting By
Francine Maisler |
Production Design by
Jack Fisk |
Art Direction by
Laurel Bergman | ||
Michael Diner | .. | supervising art director |
Isabelle Guay | .. | supervising art director |
Set Decoration by
Beauchamp Fontaine | .. | (U.S. Unit) |
Hamish Purdy |
Costume Design by
Jacqueline West |
Makeup Department
Audrey L. Anzures | .. | hair department head / hair department head: Argentina, California and Montana (as Audry Anzures) |
Caroline Aquin | .. | prosthetic makeup artist |
Kathryn Blondell | .. | personal hair stylist: Mr. DiCaprio (as Kathryn L. Blondell) / personal hair stylist: Mr. DiCaprio, Argentina, California and Montana (as Kathryn L. Blondell) |
Brandi Boulet | .. | special makeup effects artist |
Michael Byrne | .. | prosthetic technician |
Rebecca Cain | .. | hair stylist |
Nathaniel De'Lineadeus | .. | dental FX design and manufacture |
Audrey Doyle | .. | personal makeup artist: Mr. Hardy / personal makeup artist: Mr. Hardy, Argentina, California and Montana / prosthetic application: Mr. Hardy |
Madison Farwell | .. | daily assistant makeup artist |
Tammy Fox | .. | makeup artist |
Maiko 'Mo' Gomyo | .. | special makeup effects artist |
Sian Grigg | .. | personal makeup artist: Mr. DiCaprio (as Siân Grigg) / personal makeup artist: Mr. DiCaprio, Argentina, California and Montana (as Siân Grigg) / prosthetic makeup effects: Mr. DiCaprio (as Siân Grigg) / prosthetic makeup effects: Mr. DiCaprio, Argentina, California and Montana (as Siân Grigg) |
Duncan Jarman | .. | personal makeup artist: Mr. DiCaprio / personal makeup artist: Mr. DiCaprio, Argentina, California and Montana / prosthetic makeup effects: Mr. DiCaprio / prosthetic makeup effects: Mr. DiCaprio, Argentina, California and Montana |
Graham Johnston | .. | makeup department head / makeup department head: Argentina, California and Montana |
Kristyan Mallett | .. | work shop supervisor: Mr. DiCaprio |
Adrien Morot | .. | special effects makeup department head / special effects makeup department head: Argentina, California and Montana |
Chloe Muton-Phillips | .. | hair technician |
Linda Nelson | .. | hair stylist |
Robert A. Pandini | .. | hair department head (as Robert Pandini) / hair department head: Argentina, California and Montana (as Robert Pandini) |
Sunita Parmar | .. | art finisher: Mr. DiCaprio |
Jessica Shannon | .. | special effects makeup artist: Argentina, California and Montana / special makeup effects artist |
Leon Smikle | .. | key prosthetic effects technician |
Vicki Syskakis | .. | key makeup artist |
Debra Szteina | .. | contact lens technician |
Jo-Dee Thomson | .. | key hair stylist |
Sharon Toohey | .. | key makeup artist / makeup department head |
Kathy Tse | .. | special effects makeup shop coordinator |
Tristan Versluis | .. | key prosthetic artist: Mr. DiCaprio |
Michelle Vittone | .. | makeup department head: Argentina, California and Montana (as Michelle Vittone-McNeil) |
Kristina Wood | .. | makeup artist |
Vince Yoshida | .. | special makeup effects artist |
Marlaine Andresen | .. | assistant makeup artist (uncredited) |
Mathieu Baptista | .. | special makeup effects artist (uncredited) |
Stacey Butterworth | .. | wig maker: Tom Hardy (uncredited) |
Jeremy Caravita | .. | special makeup effects artist (uncredited) |
Kevin Carter | .. | special effects contact lenses (uncredited) |
Tracy Falukozi | .. | assistant makeup artist (uncredited) |
Darryl Filion | .. | hair stylist (uncredited) |
Cayley Giene | .. | makeup effects lab technician: Beaver fabricator (uncredited) |
Céline Godeau | .. | special makeup effects artist (uncredited) |
Anthony Gordon | .. | makeup artist (uncredited) |
Sebastian Lochmann | .. | prosthetic sculptor (uncredited) |
Chris Lyons | .. | special effects teeth (uncredited) |
Jenni Macdonald | .. | assistant makeup artist (uncredited) / assistant special effects makeup artist (uncredited) |
David Malinowski | .. | prosthetic makeup technician: Leonardo DiCaprio (uncredited) |
Sasha McLaughlin | .. | hair stylist (uncredited) |
Michael Nickiforek | .. | sculptor, mold maker, silicone prosthetics fabrication (uncredited) |
Amanda Rye | .. | assistant makeup artist (uncredited) |
Christina Scott | .. | assistant makeup artist (uncredited) / special makeup effects artist (uncredited) |
Shane Shisheboran | .. | special makeup effects artist (uncredited) |
Rebecca Switzer | .. | makeup effects crew (uncredited) |
Vincent Van Dyke | .. | life casting: Mr. Dicaprio (uncredited) |
Debbie Vandelaar | .. | makeup artist (uncredited) |
Sarah Weatherburn | .. | facial hair maker (uncredited) |
Production Management
Bruce L. Brownstein | .. | unit manager |
Dean Cochran | .. | post-production supervisor |
Evan Godfrey | .. | production supervisor: Argentina |
Douglas Jones | .. | unit production manager (as Doug Jones) |
Drew Locke | .. | unit production manager |
Matías Mosteirín | .. | production manager: Kramer & Sigman Films (as Matías Mosteirin) |
Jason Pomerantz | .. | director of production: IMAX Version |
Santiago Quinones | .. | production manager: argentina - prep |
James W. Skotchdopole | .. | unit production manager |
Skye Stolnitz | .. | production supervisor: los angeles (as Skye Wathen) |
Mercedes Tarelli | .. | production manager |
Valerie Flueger Veras | .. | post-production supervisor |
Gabriela Vázquez | .. | unit production manager: Argentina, California, Montana |
Pola Zito | .. | production manager: Kramer & Sigman Films |
Second Unit Director or Assistant Director
Jasmine Marie Alhambra | .. | second assistant director: additional photography - montana & los angeles units |
Silver Butler | .. | third assistant director |
Stéphane Byl | .. | second assistant director |
Scott Catolico | .. | third assistant director |
Dominic Gaglione D'Amico | .. | additional third assistant director (as Dominique Gaglione D'Amico) |
Darius de Andrade | .. | trainee assistant director |
Martin Doepner | .. | third assistant director |
Robin K. Flynn | .. | trainee assistant director |
Teddy Gibbons | .. | second assistant director |
Matt Haggerty | .. | key 2nd assistant director |
Stephen Kievit | .. | trainee assistant director |
Jeremy Marks | .. | second assistant director |
Josh Muzaffer | .. | additional second assistant director |
Mariano Nesci | .. | second assistant director: Argentina |
Darcie Parkhurst | .. | trainee assistant director |
Scott Robertson | .. | first assistant director |
Brett Robinson | .. | second second assistant director |
Megan M. Shank | .. | key second assistant director |
Jerry Skibinsky | .. | third assistant director |
Adam Somner | .. | first assistant director: Montana Argentina Los Angeles unit |
Trevor Tavares | .. | second assistant director |
Kasia Trojak | .. | second second assistant director |
Art Department
Brett Andrews | .. | armour/weapons coordinator |
Chris Ball | .. | props |
Pierre Bartlette | .. | General Foreman |
Chris Beach | .. | assistant art director |
Jill Beecher | .. | graphics / illustrator |
Richard J. Bell | .. | greens coordinator: reshoots |
Prescott Beresh | .. | set dresser |
Brent Boates | .. | storyboard artist |
Ben Brenner | .. | assistant property master: Los Angeles Crew |
Amy A. Brewster | .. | set dec buyer |
Lawson Brown | .. | assistant property master (as John Lawson Brown) |
Graham Brunskill | .. | carpenter |
Timothy Burgard | .. | storyboard artist (as Tim Bugard) |
Luke Burton | .. | sculptor |
Scott Calderwood | .. | assistant decorator |
Matthew Campbell | .. | lead greens |
Darcy Caron | .. | scenic carpenter |
Matthew Carswell | .. | set dresser |
Lubor Cencak | .. | scenic artist |
Cameron Chapman | .. | art department coordinator |
Lynn Chaulk | .. | on set painter |
Markle Chris | .. | greensmen |
Jason Claridge | .. | head scenic paint coordinator |
Kevin Clark | .. | greensman |
Chuck Coffman | .. | set dresser |
Dan Colegrove | .. | propmaker gang boss |
Shannon Courte | .. | art department coordinator |
Brian Cunningham | .. | illustrator |
John Dale | .. | construction coordinator |
Coral Dambrauskas | .. | greens lead |
Corey Dambrauskas | .. | greensperson |
Devin Dambrauskas | .. | greensman |
Andrea Dance | .. | set dresser |
David R. Dennis | .. | set dresser |
Dean Eilertson | .. | property master / property master: Supervising |
Warren Flanagan | .. | illustrator |
Josue Clotaire Fleurimond | .. | concept illustrator |
Mick Flowers | .. | property master |
Beauchamp Fontaine | .. | U.S. Unit |
Jordan Forester | .. | assistant props |
Jack Gauvreau | .. | head sculptor |
Lisa Godwin | .. | prop builder |
Pat Goettler | .. | construction buyer |
Haida Harper | .. | props |
Darcy Healy | .. | props |
Craig Henderson | .. | construction coordinator |
Michelle Hendriksen | .. | assistant property master |
Karen Higgins | .. | construction coordinator: U.S. unit |
Scott Holburn | .. | set dresser |
Tom Johnson | .. | scenic artist |
Kevin Kasper | .. | set dresser |
Patrick Kearns | .. | set dresser fabricator |
Mike Keel | .. | buyer |
Jana Kelly | .. | greens buyer |
Steve Killi | .. | set dresser (as Steve Tex Killi) |
Jan Kobylka | .. | supervising construction coordinator |
Jason B. Landels | .. | assistant property master |
Jacques Larrue | .. | set dresser |
Brad Larson | .. | props builder |
Loyola Lewis | .. | scenic painter |
David Loitz | .. | lead man: Los Angeles / lead man: additional photography |
Rohan Lyal | .. | head greensman |
Ken McClennon | .. | carpenter |
Aaron McCullough | .. | paint coordinator |
J.J. Mestinsek | .. | paint forman |
Steve Miller | .. | set dresser |
Jeremy Nitsch | .. | props assistant |
Caitlin Jane Parsons | .. | set dresser |
Ryan Pawlak | .. | prop fabricator |
Roberto Pinoni | .. | carpenter |
Elizabeth Pullan | .. | paint foreman |
Robert Sawchuk | .. | property buyer |
Scott Sener | .. | assistant propmaster: Argentina |
Sarah Shruger-Thibodeau | .. | set dresser |
Dennis Simard | .. | set decorating lead man |
Olena Skorokhod | .. | art department coordinator / art department trainee |
Mark Stainthorpe | .. | set decoration shop foreman |
Fraser Stepanick | .. | scenic artist (as Fraser M. Stepanick) |
Scott Stewart | .. | set dresser |
James Summers | .. | lead greensman |
Danelle Vierkant | .. | fabricator / painter |
Paul Wagner | .. | assistant property master: BC Unit |
Ken Wills | .. | property master |
Joe Wolkosky | .. | set designer |
Trevor Woroby | .. | carpenter |
Tom Yaremko | .. | head greens |
Erika Zonderland | .. | scenic artist |
Sound Department
Alex Altman | .. | utility sound: pickups |
Gregg Barbanell | .. | foley artist |
Lon Bender | .. | supervising sound designer: Formosa Group / supervising sound editing and design: Formosa Group |
Dicken Berglund | .. | ADR Mixer |
Dave Bergstrom | .. | stage engineer |
G.W. Brown | .. | adr editor (as Greg Brown) |
Tom Burns | .. | re-recording mix technician |
Charlie Campagna | .. | field recording by |
Brian Chumney | .. | dialogue editor: Skywalker Sound |
Samuel Cornwell | .. | additional photography video utility (as Sam Cornwell) |
Bill R. Dean | .. | sound effects editor (as Bill Dean) |
Dino Dimuro | .. | sound effects editor (as Dino DiMuro) |
Chris Duesterdiek | .. | production sound mixer |
Julie Feiner | .. | adr editor |
Jonathan Fuh | .. | boom operator |
Andrea Gard | .. | foley artist: Skywalker Sound |
Luke Gibleon | .. | second assistant sound editor |
Hector C. Gika | .. | sound effects editor (as Hector Gika) |
Jeff Gomillion | .. | adr mixer |
Laura Graham | .. | adr editor |
Vincent Guisetti | .. | foley artist |
Paul Hackner | .. | dialogue editor |
Catherine Harper | .. | foley artist |
Shane Hayes | .. | dialogue editor |
Martín Hernández | .. | supervising sound designer / supervising sound editing and design |
Sarah Hubbell-Engler | .. | colorado snow record team |
William B. Johnston | .. | sound editorial engineering (as Bill Johnston) |
Larry Kemp | .. | dialogue editor |
Adam Kopald | .. | sound effects editor |
Mark Larry | .. | sound effects editor |
Leff Lefferts | .. | additional re-recording mixer: Skywalker Sound |
Lisa J. Levine | .. | dialogue and adr supervision |
Tim Limer | .. | re-recording mix technician |
Donnie Little | .. | sound editorial engineering |
Antoine Ly | .. | sound recordist |
Nancy MacLeod | .. | foley editor |
Dave McMoyler | .. | sound effects editor (as David McMoyler) |
Bill Meadows | .. | re-recording mix technician |
Ryan Meadows | .. | field recording by / second assistant sound editor |
Michael Miller | .. | adr mixer |
Dror Mohar | .. | dialogue editor |
Frank A. Montaño | .. | re-recording mixer |
Glenn T. Morgan | .. | adr editor |
Michael A. Morongell | .. | stage engineer (as Mike Morongell) |
Alex Nomick | .. | colorado snow record team |
Charles O'Shea | .. | boom operator |
Rick Owens | .. | foley artist (as Rick Owen) |
Michele Perrone | .. | adr editor |
Brandon Proctor | .. | additional re-recording mixer: Skywalker Sound |
Alejandro Quevedo | .. | sound consultant |
Frank Rinella | .. | foley mixer: Skywalker Sound |
Stephen P. Robinson | .. | sound effects editor (as Stephen Robinson) |
Katherine Rose | .. | colorado snow record team (as Katy Rose) |
Pernell L. Salinas | .. | key assistant sound editor |
Geordy Sincavage | .. | foley artist |
D. Chris Smith | .. | sound effects editor (as D. Chris Smith M.P.S.E.) |
John C. Stuver | .. | dialogue editor (as John Stuver) |
Mark Sussman | .. | loop group coordinator |
Jon Taylor | .. | re-recording mixer |
Randy Thom | .. | re-recording mixer / supervising sound designer: Skywalker Sound / supervising sound editing and design: Skywalker Sound |
Jon Title | .. | sound designer |
Candice Todesco | .. | sound assistant |
Todd Toon | .. | additional sound supervision: Formosa Group |
Dave Tourkow | .. | stage engineer |
Christopher T. Welch | .. | dialogue editor (as Chris Welch) |
Ronni Brown | .. | foley artist: Skywalker Sound (uncredited) |
Jason Chiodo | .. | re-recording mixer: special features (uncredited) |
Christopher Cleator | .. | adr mixer (uncredited) |
Matt Dawson | .. | adr mixer (uncredited) |
Kathleen Edwards | .. | adr recordist (uncredited) |
Kris Fenske | .. | sound effects editor (uncredited) |
François Fripiat | .. | adr recorder (uncredited) |
Richard Gould | .. | assistant sound editor: Skywalker Sound (uncredited) |
Nick Jimenez | .. | adr recordist (uncredited) |
Daniel R. Kerr | .. | field recording by (uncredited) |
Darrin Mann | .. | foley mixer (uncredited) |
Tor McAfee Kingdon | .. | adr mixer (uncredited) |
Edgar Meza | .. | engineering services: Skywalker Sound (uncredited) |
Nick Murray | .. | trailer sound designer (uncredited) |
Chris Navarro | .. | adr mixer (uncredited) |
Aiden Ramos | .. | adr recordist (uncredited) |
Katherine Rose | .. | foley artist (uncredited) |
Geordy Sincavage | .. | foley editor (uncredited) / supervising foley mixer (uncredited) |
Olivia Souder | .. | foley editor (uncredited) |
John Soukup | .. | sound transfer recordist (uncredited) |
Andy Stallabrass | .. | adr mixer (uncredited) |
Eli Sundermann | .. | adr recordist (uncredited) |
Aran Tanchum | .. | foley editor (uncredited) |
Ryan Wassil | .. | foley editor (uncredited) / foley mixer (uncredited) |
Matthew Wilson | .. | sound editor (uncredited) |
Special Effects by
Brandon Allen | .. | special effects technician |
Cara E. Anderson | .. | special effects buyer |
David Benediktson | .. | special effects coordinator |
Brian Bero | .. | special effects technician |
Ryan Bilodeau | .. | fabricator |
Tom Blacklock | .. | special effects senior technician |
Stewart Bradley | .. | special effects coordinator |
Len Burge | .. | special effects |
Kenneth Calhoun | .. | special effects technician: Legacy Effects (Uncredited) |
Kelly Coe | .. | fabricator |
Steve Collins | .. | fabricator |
Nicole Connelly | .. | special effects buyer |
Pau Costa | .. | special effects coordinator / water tank unit |
Lim Ti Yan Daniel | .. | matchmove artist |
Dawn Dininger | .. | fabricator |
Ante Dugandzic | .. | special effects supervisor: additional photography |
Damian Fisher | .. | mold shop supervisor |
Hugh Foster | .. | special effects shop laborer |
Terry Logan Frazee | .. | special effects technician |
Ronny Gosselin | .. | senior special effects technician |
James Hutniak | .. | special effects technician |
Frank Iudica | .. | special effects technician |
Eric Lemay | .. | special effects assistant |
Toby Lindala | .. | special makeup effects |
Janet Mader | .. | special effects assistant |
Tevin Maker | .. | special effects technician |
Glen Marcoux | .. | special effects senior technician |
Ryan Meinardus | .. | special effects technician |
Mark Mentiply | .. | special effects technician |
Steven Munson | .. | special effects pre-production |
Clay Orr | .. | lead snow coordinator |
Scott Oshita | .. | mechanical design: Mechanical Horse |
Mark Rappaport | .. | creature effects supervisor |
Darryl Reeves | .. | special effects technician |
Ken Reynolds | .. | special effects technician |
Steve Riley | .. | special effects coordinator: additional photography |
John Rosengrant | .. | Legacy Effects Supervisor |
Maurice Routly | .. | special effects senior technician |
Richard Schwalm | .. | special effects |
Kimberly Scott | .. | legacy effects admin |
W.A. Andrew Sculthorp | .. | special effects foreman |
Ryan Senecal | .. | special effects technician |
Jayme Smith | .. | special effects technician |
Mike Splatt | .. | special effects senior technician |
Vance Vanboxtel | .. | special effects |
Mario Vanillo | .. | special effects foreman |
Cameron Waldbauer | .. | special effects supervisor |
Heather Wasylchuk | .. | assistant special effects buyer |
Jesse Weber | .. | special effects crew |
Brad Zehr | .. | special effects set supervisor |
Douglas D. Ziegler | .. | special effects |
Michael O'Brien | .. | key sculptor: Legacy Effects (uncredited) |
Damon Weathers | .. | Legacy Effects Coordinator (uncredited) |
Visual Effects by
Hayley Adams | .. | production support: Cinesite |
Illia Afanasiev | .. | senior compositor |
Carmine Agnone | .. | lead matchmove artist: One of Us |
Ivy Agregan | .. | visual effects producer |
James Albiez | .. | visual effects artist |
Kaevski Aleksandar | .. | matchmove artist |
Casey Allen | .. | senior flame artist |
Michael Allen | .. | digital artist: ILM |
Luis Almazan | .. | compositor |
Juan Alvarez | .. | visual effects artist |
Sara Lucia Alvarez | .. | visual effects production assistant |
Raine Anderson | .. | senior texture artist: ILM |
Christopher Antoniou | .. | asset supervisor |
Asregadoo Arundi | .. | visual effects supervisor |
Ruth Asensio | .. | head of layout department: MPC, Montreal |
Mathieu Assemat | .. | head of techanim |
Peter Aversten | .. | senior texture artist: cinesite |
Guray Ayakur | .. | matchmove/layout td: ILM (as Ferda Guray Ayaokur) |
Kat Bachert | .. | visual effects production coordinator: ILM |
Joseph Bailey | .. | digital compositor: ILM |
Samantha Banack | .. | production manager: MPC |
Tom Barber | .. | visual effects coordinator: mpc |
Jason Barlow | .. | digital artist: ILM |
Trent Bateman | .. | technology: ILM |
Joseph Batten | .. | visual effects artist |
Mike Beaulieu | .. | animation supervisor: head of animation MPC Montreal |
Roger Beck | .. | system administrator: Secret Lab |
Vicki Beck | .. | executive staff: ILM |
Michael Becki | .. | head of layout montreal: MPC |
John Bell | .. | storyboard artist: ILM |
Louis-Charles Berthiaume | .. | paint & roto artist: Cinesite |
Maxime Besner | .. | compositor: Cinesite |
Aravind Bhat | .. | asset lead: MPC (lead) |
Davide Bigotto | .. | matchmove artist: One of Us |
Kathryn Jane Black | .. | roto paint artist |
Adam Blank | .. | layout artist: ILM |
Brandon Blevins | .. | digital compositor: MPC |
Jimmy-Lee Boisvert | .. | production support: Cinesite |
Chris Bolwyn | .. | visual effects artist: creature effect technical director |
Gregory Bossert | .. | layout artist: ILM |
Guy Botham | .. | visual effects executive producer |
Stephen D. Bowline | .. | technology |
Matt Boyer | .. | matchmove artist: Cinesite |
Kirstin Bradfield | .. | compositor: ILM |
Bertrand Breuze | .. | 2d supervisor |
Gossart Brian | .. | lead technical animator / visual effects artist |
Pankaj Brijlani | .. | visual effects artist: matchmove lead |
Stephane Brisson | .. | paint and roto |
Jill Brooks | .. | visual effects executive producer: ILM / visual effects senior producer: ILM |
Ghislain Bruneau | .. | visual effects artist |
Michael Buck | .. | visual effects editor |
Charles Bunnag | .. | finishing artist/colorist |
Justin Bunt | .. | digital compositor |
Amirah Busairi | .. | bg prep artist |
Roisin Byrne | .. | production support: Cinesite |
Earle Stuart Callender | .. | Bidding Producer: One of Us |
Amy Carpenter | .. | paint & roto: Cinesite |
Cynthia Rodriguez del Castillo | .. | digital compositor |
Anthony S. Castro | .. | compositor |
Daniel Cavey | .. | visual effects production manager: ILM |
Christiane Caya | .. | roto & paint artist |
Joe Ceballos | .. | digital matte painter |
Jeffrey Chan | .. | digital compositor: Soho VFX |
Anoop Chandran | .. | matchmove & rotoanim artist: Mpc |
Vikram Chandran | .. | digital compositor |
Daniel Charchuk | .. | production coordinator: MPC |
Dominique Chartrand | .. | visual effects coordinator |
Hunter Chase | .. | compositor |
Nicolas Chevallier | .. | visual effect supervisor: Cinesite |
Jinhwan Choi | .. | fx artist |
Goby Hsiao Yun Chou | .. | effects technical director: Cinesite |
Tim Chrismer | .. | external assistant technical director: ILM |
Cj Cole | .. | visual effects coordinator: Vitality Visual Effects |
Natalie Conliffe | .. | texture artist |
Thompson Conradi | .. | digital compositor |
Ian Cooke-Grimes | .. | lookdev/lighting td: MPC |
Jason Cooper | .. | vfx editor |
Karin Cooper | .. | visual effects |
Sam Cooper | .. | assistant coordinator |
Krishnamurti Costa | .. | senior digital artist: ILM |
Nestor Costa | .. | matchmove artist |
Marlis Coto | .. | digital compositor |
Gabriel Couture-Bojanowski | .. | roto/prep artist: cinesite |
David Cowles | .. | visual effects editor: secret lab |
Stuart Cripps | .. | visual effects artist |
Peter Cromwell | .. | compositor |
Oliver Cubbage | .. | concept artist |
Alice Cumbaa | .. | vfx coordinator: Cinesite |
Grahame Curtis | .. | modeller: Cinesite |
Adam Czuprak | .. | production support: Cinesite |
David Cérat | .. | matchmove artist: Cinesite |
Beth D'Amato | .. | digital paint and roto artist |
Matthew D'Angibau | .. | tracking artist: Cinesite |
Marcello Da Silva | .. | roto/animation artist |
Etienne Daigle | .. | 2d supervisor: Cinesite |
Cory Darough-Hardekopf | .. | modeler/texture artist |
Virender Dass | .. | Matchmove and Layout technical Director ILM |
Kelsey Davidson | .. | visual effects production assistant: ILM |
Jonathan Davies | .. | fx td: Cinesite |
Robin De Lillo | .. | visual effects |
Andres Delia | .. | digital compositor |
Stanley A. Dellimore | .. | global head of layout: MPC |
Charles-David Deschenes | .. | vfx coordinator: Cinesite |
Louis Desrochers | .. | fx td: Cinesite |
Michael Dillon | .. | di producer |
Chris DiPaola | .. | modeller: Cinesite |
Tim Dobbert | .. | layout supervisor: ILM |
Francesc Donaire | .. | compositor: Cinesite |
Tracie Donais | .. | digital compositor: Cinesite |
Mario Donio | .. | digital compositor: MPC |
George Douglas | .. | paint and roto: Cinesite |
Kristen Drewski | .. | department manager |
Yann Dupont | .. | senior lighting td |
Daniel Dupre | .. | compositor / matte painter |
Ryan Dutour | .. | digital compositor |
Stefan Ehrenhaus | .. | lead rigging td: mpc |
Nadav Ehrlich | .. | animation supervisor: Soho VFX |
Janeen Elliott | .. | senior compositor: Image Engine |
Karen Elliott | .. | roto/prep artist: cinesite |
Denny Ertanto | .. | digital compositor: MPC |
Sarah Essam | .. | visual effects production manager: MPC |
Leandro Estebecorena | .. | visual effects (as Leanard Estebecorena) |
Maeve Eydmann | .. | digital matte painter: Cinesite |
Charles-e Farkas | .. | digital compositor: MPC |
Maxime Ferland | .. | digital artist: cinesite |
Andrew Fitchett | .. | visual effects coordinator |
Juan Flores | .. | digital colorist assist: Technicolor |
Peter Forsyth | .. | digital matte painter: Cinesite |
Rebecca Forth | .. | technical support: ILM |
Eric Fortin | .. | matchmove artist: Cinesite |
Richard Fox | .. | digital compositor |
Laura Franek | .. | production support: ILM |
David François | .. | compositor: Cinesite |
Victor Frenkel | .. | research & development: ILM |
Cef Y. Fresko | .. | visual effects artist |
Maximilian Funke | .. | compositor |
Andrius Gabriunas | .. | visual effects artist |
Kai Gadd | .. | prep and roto artist: Cinesite |
Nicole Galaz | .. | production engineer: ILM |
Caroline Garrett | .. | vfx line producer: Cinesite |
Jesus Garrido | .. | senior compositor: Industrial Light & Magic |
Scott Gastellu | .. | digital compositor |
Kevin George | .. | lead cg generalist: Industrial Light & Magic |
Joseph Geremia | .. | production support: Cinesite |
Nikhil Ghoorbin | .. | render wrangler |
Kunal Ghosh Dastider | .. | senior effects technical director: ILM |
Roger Gibbon | .. | digital matte painter: Cinesite |
Benedict Gillingham-Sutton | .. | senior digital compositor (as Ben Gillingham-Sutton) |
Andre Giordani | .. | matchmove, rotoanimation, layout & animation: Cinesite |
Jérémy Giraudeau | .. | digital compositor |
Yoel Godo | .. | digital compositor: MPC |
Guillaume Goudreault | .. | lighting td: Cinesite |
Frank Gravatt | .. | Digital Model Supervisor |
Dave Griffiths | .. | senior compositor |
Joshua Grow | .. | joust tech |
Chloe Grysole | .. | production support: Cinesite |
Patrick Guevin | .. | vfx line producer: Cinesite |
Alexandre Gény | .. | lead compositor |
Venetia Hadley | .. | compositor: Cinesite |
Shramana Haldar | .. | Roto/Paint Artist |
Nick Hanks | .. | layout artist: Cinesite |
Chris Hanson | .. | visual effects production assistant: ILM |
Dante Harbridge Robinson | .. | digital matte painter: Cinesite / digital matte painter: cinesite |
Drew Harrison | .. | texture painter: ILM |
Michael Harrison | .. | compositor: mpc |
T.C. Harrison | .. | digtial artist: Industrial Light and Magic |
Dan Harrod | .. | compositor: Cinesite |
Michael Hatzer | .. | finishing artist |
Sandro Henriques | .. | compositor: Cinesite |
Jessie Hereng | .. | fx artist |
Gisela Hermeling | .. | production support |
Jeffrey Charles Higgins | .. | effects supervisor: Industrial Light & Magic |
Sean Castle Hitchcock | .. | digital artist: MPC |
Anita Ho | .. | visual effects production manager: Image Engine |
Amanda Hollingworth | .. | digital compositor |
Nicolas Houle | .. | production support |
Jason Howey | .. | fx artist |
Marco Iannaccone | .. | rigging td: mpc |
Darko Ilievski | .. | rotoscoping artist |
Brad Isdrab | .. | technical support |
Jiri Jacknowitz | .. | digital artist |
Robert Jackson | .. | senior compositor |
Lionel Jacobs | .. | digital compositor |
Eli Jarra | .. | visual effects artist |
Benjamin Jean | .. | roto prep artist: mpc |
Michele Linse Jeffers | .. | visual effects producer: Gradient FX (as Michele Linse) |
Celia Jepson | .. | senior lighting td: ILM |
Oleg Jiliba | .. | vfx editor |
Keith Johnson | .. | digital artist: ILM |
Tyler Johnson | .. | Visual Effects Assistant Coordinator: New Regency |
Oliver Johnstone | .. | digital compositor |
Aled Rhys Jones | .. | senior compositor |
Marc Jones | .. | matchmove supervisor: Image Engine |
Stanley Jones | .. | compositor: Cinesite |
Grzegorz Jonkajtys | .. | lead digital artist |
Nikolce Jovanovski | .. | compositor: MPC |
Brittany Joyner | .. | technical support |
Étienne Jubinville | .. | matchmove artist: Cinesite |
Rajesh Kumar K.V. | .. | matchmove and rotoanim artist |
Gregory Kalaitzis | .. | paint & roto: Cinesite |
Daniel Kemeys | .. | roto prep artist: mpc |
N. Bantu Key | .. | digital colorist/finishing artist: marketing (as Ntana Key) |
Sarah Kfoury | .. | paint & roto artist |
Ahsan Khan | .. | roto prep artist |
Laura Killmaster | .. | digital artist: Industrial Light & Magic |
Daniel Klöhn | .. | visual effects artist: animated logo |
Alex Knudsen | .. | visual effects producer: Technicolor VFX |
Mihajlo Kocevski | .. | machmove artist / matchmove artist |
Eric A. Kohler | .. | visual effects producer: Vitality Visual Effects |
Daniel Kole | .. | senior creature technical director: ILM |
Dorota Kowalska | .. | visual effects production manager: MPC |
Andrew Kowbell | .. | lead roto/prep artist: MPC |
Leanna Kruse | .. | visual effects coordinator: Soho VFX |
Bartek Kujbida | .. | senior animator: MPC |
Sanjeev Kumar | .. | pipeline software developer: mpc |
Pascal Laflamme | .. | lead layout artist: MPC |
Felix Lafontaine | .. | digital compositor |
Guillaume Laforge | .. | lead software developer: MPC |
Charles Lai | .. | digital artist: Industrial Light & Magic |
Alain Lalanne | .. | vfx producer: Cinesite |
Yann Laliberte | .. | compositor: Cinesite |
Kai-Hua Lan | .. | animator |
Jacopo Landi | .. | digital compositor: One Of Us |
Thomas Langley | .. | senior imaging engineer: MPC |
Philippe Langlois | .. | matte painter |
Laura Languillet | .. | visual effects: technical director |
Douglas Larmour | .. | sequence lead vfx compositor |
Mark Larranaga | .. | digital artist: Gradient fx |
Shandy Lashley | .. | lead data wrangler |
Thang Le | .. | concept artist: ILM |
Peter Leber | .. | production finance lead |
Seung-Hun Lee | .. | senior creature technical director |
Benoit Lefebvre | .. | senior matchmove artist |
Andrew Leighton | .. | production support: Cinesite |
Elsa Lemire | .. | roto & paint artist |
Nicolas Leroy | .. | lighting technical director: Cinesite |
Elizabeth Leslie | .. | vfx marketing editor: Cinesite / vfx production coordinator: Cinesite / visual effects coordinator |
Mari Levitan | .. | visual effects manager: MPC |
Christine Li | .. | modeler: ILM |
Claudia Li | .. | visual effects production coordinator: ILM |
Gretchen Libby | .. | executive staff |
Jordan Lipstock | .. | digital matte painter: Cinesite |
Kyle Long | .. | visual effects artist: Industrial Light & Magic |
Andreas Loose | .. | lead lighting technical director: MPC |
Michael Lorenzo | .. | vfx coordinator: Cinesite |
Mark Alan Loso | .. | visual effects artist: flame artist |
Deanna Louie | .. | vfx coordinator: Cinesite |
Xi Luo | .. | digital compositor |
Mary Lynn Machado | .. | lighting/look development supervisor: ILM Vancouver |
Allan Magled | .. | visual effects producer: Soho VFX / visual effects supervisor: Soho VFX |
Gabrielle Mailhot | .. | roto paint artist: Cinesite |
Suraj Makhija | .. | machmove artist |
Dean Mangion | .. | matchmove artist: Image Engine |
Ashley Manning | .. | visual effects coordinator: Secret Lab |
Marilyn Marcotte | .. | animator: MPC |
Mike Marcuzzi | .. | fx td: ILM |
Marcel Martinez | .. | digital compositor |
Rachel Matchett | .. | global head of production: MPC |
Javad Matoorian-Pour | .. | compositor: MPC |
Richard McBride | .. | visual effects supervisor |
Kelly McCarthy | .. | visual effects producer: Soho VFX |
Chris McCrowe | .. | digital paint artist: ILM |
Marlin McGlone | .. | data operative |
Jason McKeeman | .. | senior creature technical director: ILM |
Tracey McLean | .. | senior matte painter |
Brandon McNaughton | .. | digital compositor |
Gurel Mehmet | .. | matte painter |
Tobias Meier | .. | environment artist: cinesite |
Donatella Melchionno | .. | matte painter & enviroment artist |
Gustav Melich | .. | senior fx td: ILM |
Tory Mercer | .. | digital compositor |
Abel Milanes | .. | senior compositor: ILM |
Jed Miller | .. | production engineer: ILM |
Adrian Millington | .. | lead animator |
Danielle Millington-Peck | .. | vfx editor |
Sean Mills | .. | lead modeller: Cinesite |
Jim Milton | .. | visual effects editor: ILM |
Dhaval Mistry | .. | machmove artist |
Divyansh Mittal | .. | digital compositor: Soho VFX |
Akmal Mlahaili | .. | rotoscoping artist |
John Moffett | .. | compositor: Cinesite |
Young Joon Mok | .. | digital compositor |
Jeanette Monero | .. | compositor: One Of Us |
Chris F. Moore | .. | visual effects |
Nathanael Mooth | .. | visual effects intern: Gradient FX |
Carlos Morales | .. | Lead Compositor |
Eroc Moralls | .. | visual effects artist |
Gaelle Morand | .. | visual effects |
Lauren Morimoto | .. | digital paint and rotoscope artist: ILM |
Katie Morris | .. | digital artist: ILM |
Sarah Moussaif | .. | visual effects coordinator |
Sergio Mucino | .. | rigging: Cinesite |
Ricardo Musch | .. | Digital Compositor: MPC Montreal |
Elona Musha | .. | lookdev technical director |
Jason G. Myers | .. | data operations manager: cinesite |
Patrick T. Myers | .. | digital artist: ILM |
Rajakanna Nagarajan | .. | digital artist |
Peter Nagle | .. | production support |
Nandhakishore | .. | matchmove & rotoanim artist: mpc |
Cameron Neilson | .. | digital compositor: ILM |
Tyler Nelson | .. | visual effects (image stabilization artist: Steadfast Films) |
Mark Nettleton | .. | technology |
Gary Newman | .. | senior texture artist: Cinesite |
Giang T. Nguyen | .. | senior visual effects artist: MPC |
Leila Nicotera | .. | producer: One of Us |
Marcin Nikiforuk | .. | matte painter |
Tony Noel | .. | digital compositor |
Peter Nofz | .. | VFX Supervisor: MPC |
James P. Noon | .. | tracking |
Danielle O'Hare | .. | production support |
Sai Win Myint Oo | .. | effects technical director: industrial light and magic |
Khatsho John Orfali | .. | digital artist |
Andrea Umberto Origlia | .. | matchmove artist |
Jojan P M | .. | senior pipeline software developer: MPC |
Sherin Padayatty | .. | visual effects coordinator |
Brian Paik | .. | creature supervisor: ILM |
Suresh Pandi | .. | digital artist |
Gurpreet Singh Pannu | .. | layout artist: ILM |
Praveen Kumar Sharma Parasnath | .. | visual effects artist: anibrain |
Dominic Parker | .. | visual effects supervisor: One of Us |
Jim Parsons | .. | compositor |
Rachael Penfold | .. | visual effects executive producer: One of Us |
Caleb Pennypacker | .. | digital artist: ILM |
Alice Pepujol | .. | compositor: Cinesite / digital compositor (as Alice Pépujol) / digital compositor |
Alexis Peraste | .. | compositor: Cinesite |
Aymeric Perceval | .. | compositor: Cinesite |
Christian Perschky | .. | production support: Cinesite |
Christine Peterson | .. | senior compositor: Cinesite |
Tricia Pifer | .. | visual effects executive producer: Technicolor VFX |
Melvin Mathew Pillai | .. | paint & prep artist: anibrain (as Melvin Pillai) |
Alex Poei | .. | visual effects: animator |
Tim Potter | .. | senior modeller: Cinesite |
Tim Pounds-Cornish | .. | visual effects production manager |
Jeremy Poupin | .. | fx td |
Akie Prapas | .. | senior layout td: MPC MTL |
Ankit Priya | .. | paint/prep artist: mpc |
Francis Provencher | .. | head of systems: MPC |
Simon-Pierre Puech | .. | lead compositor |
Punniyakottiramalingam | .. | matchmove and rotoanim artist: MPC |
Alice Pépujol | .. | digital compositor: Cinesite |
Yu Qin | .. | roto/prep artist: cinesite |
Velmurugan Rajamani | .. | prep artist |
Guillermo Ramos | .. | digital compositor |
Satheesh Rangasamy | .. | digital compositor: MPC |
Donny Rausch | .. | compositing supervisor |
Kevin Razo | .. | Finishing Assist/Color Assist |
Jun Ren | .. | layout artist |
Geoffrey Reynaud | .. | fx td |
Nathan Rich | .. | CTO: Base FX |
Asia Rivera | .. | matte painter & enviroment artist |
Philippe Roberge | .. | digital compositor: MPC |
Nathaniel Rodriguez | .. | digital compositor |
Vanessa Romero | .. | digital compositor |
James Rustad | .. | cg supervisor |
Denis Sabourin | .. | animator: Cinesite |
Jagdeep Saggu | .. | paint & roto: Cinesite |
Tarkan Sarim | .. | grooming technical director: MPC |
Sathishbabu | .. | matchmove artist |
Lena Scanlan | .. | executive vfx producer: MPC |
François Schneider | .. | cg supervisor: Cinesite |
Evelyn Schunn | .. | prep artist: Cinesite |
Michele Sciolette | .. | production support: Cinesite |
Steven J. Scott | .. | supervising finishing artist |
Anik Seguin | .. | visual effects editor |
Sajith Sethumadhavan | .. | visual effects artist MPC |
Michael Sheffels | .. | concept artist |
Randal Shore | .. | executive staff: ILM |
Yuri Shubenin | .. | vfx compositor |
Matt Shumway | .. | animation supervisor: ILM |
Jennifer Silver | .. | visual effects producer: Gradient FX |
Nikola Simeonov | .. | lighting td |
Chris Simmons | .. | visual effects compositor |
Christian Simon | .. | compositor: Cinesite |
Marc-Olivier Simoneau | .. | digital artist: Cinesite |
Maxime Sirven | .. | visual effects editor: Cinesite |
Philip Sisk | .. | visual effects |
Irene Smirnova | .. | texture artist: Cinesite |
Jason Smith | .. | visual effects supervisor: ILM |
Katherine Smith | .. | assets producer: MPC |
Rick Smith | .. | compositing supervisor: Soho VFX |
Robert Snyder | .. | compositor |
Richard Sowerby | .. | paint & roto supervisor: Cinesite |
James Spadafora | .. | render support |
Doug Spilatro | .. | visual effects artist |
Daniel St-Amant | .. | matte painter |
Simon Stanley-Clamp | .. | Associate VFX Supervisor: Cinesite |
Crystal Staples | .. | production support: Cinesite |
David Steed | .. | senior data operator: Cinesite |
Damian Steel | .. | visual effects: ILM |
Andy Stevens | .. | vfx marketing editor: Cinesite |
Joe Woodward Stevenson | .. | layout artist |
Sam Stewart | .. | digital paint lead: ILM |
James Stuart | .. | lighting td: Cinesite |
Faza Sulthon | .. | digital compositor: MPC |
Jason Summersgill | .. | compositor: cinesite |
Vinayaga Sundar | .. | digital artist: MPC |
Hemanth Surana | .. | digital artist |
Attila Szalma | .. | head of envrionments: MPC |
Aleksander Szkudlarek | .. | digital effects artist |
Mehdi Tadlaoui | .. | tracking artist: Cinesite |
Florent Taisne | .. | digital compositor: MPC |
Olcun Tan | .. | visual effects supervisor |
Chad Taylor | .. | digital artist: ilm |
Mike Terrigno | .. | digital compositor |
Shivas Thilak Anthikkat | .. | digital paint artist: ILM |
Malcolm Thomas-Gustave | .. | senior creature developer: ILM |
Jithendran Thottupurath | .. | department manager: MPC |
Heiko Tippelt | .. | compositor: Cinesite |
Blaine Toderian | .. | visual effects artist |
Dmitriy Tokoyakov | .. | visual effects supervisor |
Marie Tollec | .. | digital artist: ilm |
Ruggero Tomasino | .. | digital compositor |
Alexander Toms | .. | compositor |
Sam Paul Toms | .. | visual effects editor: One of Us |
Georges Tornero | .. | digital compositor |
Viviana Torrellas | .. | digital compositor |
Alan Travis | .. | Digital Paint and Roto Supervisor |
Sanju Travis | .. | digital compositor |
Philip Trieu | .. | 3d artist: Soho vfx |
Arron Turnbull | .. | rotomation: Cinesite |
Kraig Tytus | .. | visual effects coordinator |
Mike Uguccioni | .. | visual effects |
Bojan Valjak | .. | matchmove: visual effects |
Mathieu Vallet | .. | digital compositor: MPC |
Jozef van Eenbergen | .. | senior software developer: MPC |
Michael Van Eps | .. | digital artist |
Kat VanderJagt | .. | visual effects production manager (as Kat Elliott) |
Oliver Velichkovski | .. | paint artist |
Sreejith Venugopalan | .. | Visual Effects Artist: MPC |
Hernan Vietri | .. | matchmove artist: Cinesite |
Aleksandar Vishemirski | .. | visual effects supervisor |
Cantatore Vittorio | .. | rigging td: mpc |
Anatoly Vladimirov | .. | technical support |
Elise Voyer | .. | fx department manager: MPC |
Lea Vuillemin | .. | roto & prep artist |
Scott Wakeford | .. | data operator: Cinesite |
Johan Walfridson | .. | production support: Cinesite |
Scott Walker | .. | production support: Cinesite |
Samuel John Joseph Walsh | .. | concept artist |
Shawn Walsh | .. | visual effects executive producer: visual effects |
Yang Wang | .. | senior effects technical director: Industrial Light & Magic (as Michael Wang) |
Ben Warburton | .. | digital compositor |
Darrin Wehser | .. | lookdev td: Lighting TD: ILM |
Raphaelle Weisz | .. | visual effects coordinator |
Alexander Wells | .. | creature technical director: ILM |
Ryan Wiederkehr | .. | visual effects producer: ILM |
Luke Wilde | .. | fx td: Cinesite |
William Marshall Wilkinson | .. | visual effects editor: Cinesite |
Sam Williams | .. | prep artist |
Anna F. Winters | .. | assets production manager: image engine |
Paul Wojdylo | .. | lighting |
Thorsten Wolf | .. | compositor: Cinesite |
Loeng Wong-Savun | .. | lead compositor |
Chris F. Woods | .. | davinci resolve operator |
Gary Wu | .. | creature technical director: ILM |
Xye | .. | tracking |
Shyam V. Yadav | .. | vfx data wrangler |
Keiji Yamaguchi | .. | creature development |
Matt Yeoman | .. | lead compositor: Image Engine |
Harry Yoon | .. | visual effects editor |
Volkan Yurdakul | .. | senior paint & roto artist: Cinesite |
Hubert Zapalowicz | .. | matte painter |
Kai Zhang | .. | digital artist |
Petko Zhivkov | .. | digital compositor |
Najdovski Aleksandar | .. | paint artist (uncredited) |
Chandrasekhar | .. | digital artist (uncredited) |
Raymond Chou | .. | generalist artist (uncredited) |
Kevin Daly | .. | visual effects production manager (uncredited) |
Goran Dimov | .. | matchmove artist (uncredited) |
Daniel Duwe | .. | prep supervisor: Image Engine (uncredited) |
Gottfried Eder | .. | digital matte painter: MPC (uncredited) |
Anna Ford | .. | production support: Cinesite (uncredited) |
Jamal Hajlaoui | .. | render/data support: MPC (uncredited) |
Aélis Héraud | .. | digital compositor (uncredited) |
Bright Jani | .. | prep/paint artist (uncredited) |
Mike Jutan | .. | research & development: Industrial Light & Magic (uncredited) |
Melina Kapota | .. | paint & roto artist: Cinesite (uncredited) |
Greg Kegel | .. | cg generalist supervisor: ILM (uncredited) |
Gudjon Kristjansson | .. | compositor (uncredited) |
Amit George Kuruvilla | .. | senior effects technical director: ILM (uncredited) |
Matthew Lausch | .. | research & development: ILM (uncredited) |
Madison Littlefield | .. | compositor: mpc (uncredited) |
Noah Lockwood | .. | research & development: Industrial Light & Magic (uncredited) |
Deanna Louie | .. | digital line producer (uncredited) |
Sara Lynch | .. | production support: Cinesite (uncredited) |
Alexandre Marlier | .. | compositor: MPC (uncredited) |
Zoran Mladenovski | .. | rotoscope artist (uncredited) |
Brett Northcutt | .. | concept artist (uncredited) |
Christophe Pacaud | .. | digital compositor: Cinesite (uncredited) |
Geoff Pedder | .. | visual effects artist (uncredited) |
Chad Peter | .. | image stabilization artist (uncredited) |
Daniel Pettipher | .. | production support: cinesite (uncredited) |
Dominic Pileggi | .. | digital compositor (uncredited) |
Bandhavit Puangpikul | .. | tracking (uncredited) |
Scott Speirs | .. | head of production: montreal: MPC (uncredited) |
Adam Tamel | .. | digital compositor (uncredited) |
Elena Velkova | .. | paint artist (uncredited) |
Jenny Wolfe-Binder | .. | production support: ILM (uncredited) |
Melody Woodford | .. | production support: cinesite (uncredited) |
Stunts
Kevin Abercrombie | .. | stunts |
Casey Adams | .. | stunt rigger / stunts |
Ed Anders | .. | stunt actor / stunt performer / stunts |
John Arbuckle | .. | utility stunts |
Nathaniel Arcand | .. | stunts |
Scott J. Ateah | .. | stunt coordinator (as Scott Ateah) / stunt coordinator |
Loyd Bateman | .. | stunt performer / stunts |
Skyler Bearchief | .. | stunts |
Dusty Bews | .. | stunts |
Guy Bews | .. | stunts |
Ian Big Tobacco | .. | stunts |
Michael T. Brady | .. | stunts |
Greg Bray | .. | stunts |
Troy Brenna | .. | stunts |
Mo Brings Plenty | .. | horse stunts / stunts |
Byron Brisco | .. | stunt performer (as Byron Briscoe) / stunts |
Tamiko Brownlee | .. | stunt double: Grace Dove / stunt performer / stunts |
Tim Bruised Head | .. | stunts |
Rico Burgos | .. | stunt rigger / stunts |
Mark Chadwick | .. | stunts |
Kevin Chase | .. | stunt rigger / stunts |
Tommy Clarke | .. | stunt performer / stunts |
Doug Coleman | .. | stunt coordinator |
Eliza Coleman | .. | stunts / utility stunts |
Allistair Collis | .. | stunts |
Chad Cosgrave | .. | stunts |
Garvin Cross | .. | stunt performer / stunts |
Owen Crow Shoe | .. | stunts (as Owen Crowshoe) |
Matthew L. Davis | .. | stunts |
Cory DeMeyers | .. | utility stunts |
Ken Do | .. | stunts |
Jordan Dodds | .. | stunts |
Justin Doran | .. | stunts |
Flint Eagle | .. | stunts |
Denton Edge | .. | stunts |
Glenn Ennis | .. | stunt performer / stunts |
Ryan Ennis | .. | stunts |
Victor Favrin | .. | stunts |
Jim Finkbeiner | .. | stunts |
Christian Fraser | .. | stunts |
Kieran Gallagher | .. | stunt double: Leonardo DiCaprio |
Katie Garthwaite | .. | stunts |
Chris Geisler | .. | stunt rigger / stunts |
Jason Glass | .. | stunt double: Leonardo DiCaprio |
Lars Grant | .. | stunts |
Kory Grim | .. | stunts |
Adam Hart | .. | fight coordinator / stunts |
Robert Hayley | .. | stunts |
Rene H. Herrera | .. | stunts |
Kai Hirvonen | .. | stunt rigger |
Lucas Hogue | .. | stunts |
Shane Hoof | .. | stunts |
Urs Inauen | .. | stunts |
Jamie Jones | .. | stunts |
Brad Kelly | .. | stunts |
Patrick Kelly | .. | stunts |
Conway Kootenay | .. | stunts |
Mark Krysko | .. | stunt performer / stunts |
Alex Kyshkovych | .. | stunt double: Leonardo DiCaprio |
Scott Lang | .. | stunt performer / stunts |
Dave Leader | .. | stunts |
Jaeson Lee | .. | stunt performer / stunts |
Thomas Liccioni | .. | stunt double: Leonardo DiCaprio |
Kurt D. Lott | .. | stunts / utility stunts |
Brian Machleit | .. | stunt coordinator |
Travis Maguire | .. | stunts |
Daryl Mclean | .. | stunts |
Steven McMichael | .. | stunt performer |
Katie McPherson | .. | river safety |
Mike Mitchell | .. | stunts |
Robert Nagle | .. | stunts |
Allan Padelford | .. | stunt driver |
Rick Pearce | .. | stunts |
Northstar Peequaquat-Stonechild | .. | stunts |
Leonard Provost | .. | stunts |
Ty Provost | .. | stunts |
Matt Ragan | .. | the drone guy |
Dan Redford | .. | stunt performer / stunts |
Matt Reimer | .. | stunts |
Tecee Rider | .. | stunts |
Chad Riley | .. | stunt performer / stunts |
Eugene Brave Rock | .. | stunt performer / stunts |
Raynard Brave Rock | .. | stunts |
Rod Rondeaux | .. | horse stunts / stunts |
Scott Safechuck | .. | stunts |
Quentin Schneider | .. | stunts |
Todd Scott | .. | stunts |
Darcy Singer | .. | stunts |
Tim Sitarz | .. | stunt performer (Stunt Bear) / stunts |
Grant Smith | .. | stunt rigger / stunts |
Samuel A. Smith | .. | stunts |
Jodi Stecyk | .. | stunt double: Tom Hardy / stunts |
Hugo Steele | .. | stunt rigger / stunts / utility stunts |
Heath Stevenson | .. | stunts |
Cam Sutherland | .. | stunts |
Sean Taylor | .. | stunt double |
Cody Thompson | .. | stunts |
Tyler Thompson | .. | stunts |
Jacob Tomuri | .. | stunt double: Tom Hardy |
Frank Torres | .. | stunt rigging bear scene |
Brad Turner | .. | stunt performer / stunts |
Mark Vanselow | .. | stunt coordinator |
Banzai Vitale | .. | stunts |
Rich Volp | .. | stunts / utility stunts |
Owen Walstrom | .. | utility stunts |
Chris Webb | .. | stunts / utility stunts |
Dwayne Wiley | .. | stunts |
Brent Woolsey | .. | stunts |
Adrian Young | .. | stunts |
Camera and Electrical Department
Mark G. Alexander | .. | Lighting Technician Squamish |
Mark Allan | .. | digital utility: digital imaging technician |
Colin Allen | .. | best boy electric |
Matt Almas | .. | bestboy grip |
Skylar Almas | .. | grip |
Scott Andrew Armstrong | .. | rigging grip |
Michael Baier | .. | digital utility |
Chris Bangma | .. | libra head technician |
Mike Barnett | .. | edge crane operator |
Fernando Barrios | .. | rigging grip |
Dane Bjerno | .. | aerial camera technician |
Robert Branam | .. | hd video assist: additional photography |
Andy Brown | .. | trainee |
Kyle Bryson | .. | best boy electric |
Frank Buono | .. | camera operator |
Robert 'Soup' Campbell | .. | second assistant camera: 'a' camera (as Robert Soup Campbell) (Argentina and Los Angeles unit) |
James Colucci | .. | camera operator |
John T. Connor | .. | assistant camera |
Preston Cook | .. | second assistant camera |
Kristen Correll | .. | assistant camera: argentina unit |
Andrae Crawford | .. | second assistant b camera: california/montana/argentina unit |
Jason Blaise Cunningham | .. | best boy rigging grip |
Kyle Curran | .. | grip |
Richard Dabbs | .. | camera pa |
James 'Spud' Danicic | .. | edge system technician |
Keith B. Davis | .. | first assistant camera: 'b' camera: Los Angeles/Montana |
Sean Davis | .. | best boy |
Amelia Doescher | .. | lamp operator |
Damon Doherty | .. | canvas room grip: Los Angeles unit |
Jordan Droho | .. | camera trainee: Vancouver |
Charles Ehrlinger | .. | grip |
Amine El Fadl | .. | grip |
Simon England | .. | first assistant camera: b camera (Argentina and Los Angeles Unit) |
Juan José Fernández | .. | electrician |
Jake Ferrero | .. | lighting technician |
Jeff Ferrero | .. | gaffer |
John Fleming | .. | camera car fabricator |
Matt Floyd | .. | cable camera designer / key rigging grip |
Jordan Forester | .. | video assist |
Shawn Fossen | .. | technocrane operator |
Kimberly French | .. | still photographer |
Ray Garcia | .. | key grip |
Jenna Giacomelli | .. | assistant to Emmanuel Lubezki |
Spiro Grant | .. | VFX Element unit cinematographer / assistant camera |
Adam Harrison | .. | rigging technician: california unit |
Tom Heigl | .. | Highspeed Camera Tech |
Erik F. Hill | .. | grip |
Todd Hlagi | .. | grip |
Eros Hoagland | .. | still photographer |
Jason Hooper | .. | rf technician |
Ryan Hosking | .. | aerial director of photography |
Pedro Huerta | .. | lighting technician |
Jonathan Humphries | .. | lamp operator |
Willow Jenkins | .. | video assist: Argentina / video assist: Los Angeles |
Justin Johns | .. | video assist operator |
Simon Jori | .. | digital imaging technician |
Dave Kampman | .. | grip |
Martin Keough | .. | gaffer |
Cherise Keown | .. | video utility / video wrangler |
Michael Koepke | .. | grip |
Doug Lavender | .. | first assistant camera |
Chris Leidholdt | .. | rigging grip gangboss |
Ian R.C. Levine | .. | second assistant: 'A' Camera |
Joshua Liberman | .. | key rigging gaffer |
David Lourie | .. | hydroflex 1st ac 'alberta' |
Robert J. Lynn | .. | video engineer (as Rob Lynn) |
John Mang | .. | dolly grip |
Peter Markowski | .. | rigging gaffer |
Thomas Martens | .. | lamp operator |
Sarah Mather | .. | second assistant camera |
David McKnight | .. | hd video assist: additional |
Hugh Meikle | .. | generator operator: Vancouver unit |
Michael Merriman | .. | first assistant camera |
Ryan Monro | .. | dolly grip |
Natasha Mullan | .. | digital utility |
Bryce Munro | .. | rigging grip |
Jaime Muschietti | .. | gaffer: Argentine Unit |
Joern Christian Novotny | .. | lighting technician |
Jonathan Osland | .. | rigging best boy |
Sean Oxenbury | .. | rigging gaffer: Vancouver |
Kyle Padelford | .. | edge arm operator |
Francis Padilla | .. | grip |
Kathian Pascal | .. | electrician |
Ryan Petey | .. | crane operator |
Polly Pierce | .. | d.i.t: utility: day player |
Ryan Rayner | .. | additional first ac |
James H Razo | .. | hydrascope operator |
Patrick Redmond | .. | edge head technician |
Jeff W. Rios | .. | second assistant array plates |
P. Scott Sakamoto | .. | camera operator |
Todd Schlopy | .. | first assistant camera: 'a' camera |
Robert Settlemire | .. | first assistant camera: underwater scenes |
Tony Skaper | .. | generator operator |
Shaun Stander | .. | video assist |
Tim Stratton | .. | rigging electric |
Chad Teglas | .. | rigging grip |
Andrew Thie | .. | electrician / rigging gaffer: Montana |
Arthur To | .. | digital imaging technician |
Amanda Trimble | .. | videoassist |
Tomas Vaverka | .. | still photographer |
Landin Walsh | .. | generator operator |
Benton Ward | .. | rf technician |
Jamie Wensley | .. | lighting technician |
James Williams | .. | libra head technician |
Bradley Everett Wilson | .. | camera supporter |
Gary Winter | .. | best boy rigging electric |
Steve Wolfe | .. | hyroflex tech |
Marc Wolff | .. | pilot: camera helicopter |
Trevor Woroby | .. | grip |
Michael Yeung | .. | camera trainee |
Lev Yevstratov | .. | edge system technician |
Justin Zaffiro | .. | camera loader: Argentina: LA unit |
Paul Atkins | .. | director of photography: second unit (uncredited) |
Bill Clary | .. | drone aerial video (uncredited) |
Luc Pallet | .. | first assistant camera (uncredited) |
Animation Department
Lee McNair | .. | animator |
Jun Ren | .. | layout artis |
Anthony Rizzo | .. | animator |
Alexandre Ronco | .. | animator |
Ryan Sluman | .. | animator |
Marco Bremm | .. | layout artist (uncredited) |
Casting Department
Michelle Allen | .. | casting |
Damian Barret | .. | casting associate |
Andrea Brown | .. | extras casting |
Stefni Colle | .. | casting assistant |
Patty Connolly | .. | adr voice casting (as Patty Majorczak-Connolly) |
Andrea D'Amours | .. | casting assistant |
Emma Day | .. | casting assistant |
Suzy Gionette | .. | extras assistant |
Michelle R. Hall Shining Elk | .. | native casting: Argentina |
Rene Haynes | .. | casting: Native Americans |
Melissa Kostenbauder | .. | casting associate |
Meghan Lennox | .. | casting assistant |
Alyson Lockwood | .. | casting and extra casting |
Tara Mazzucca | .. | casting assistant: native americans |
John McAlary | .. | casting associate |
Liam Nelson | .. | casting assistant |
Tyler Reinhold | .. | casting assistant |
Mark Sussman | .. | adr voice casting |
Dixie Webster | .. | Native Casting: Montana, Los Angeles, Argentina |
Zach Copeland | .. | casting assistant (uncredited) |
Lyza Heyden | .. | casting assistant (uncredited) |
Costume and Wardrobe Department
Craig Anthony | .. | personal costumer: Mr. DiCaprio / personal costumer: Mr. Dicaprio, Argentina, California, Albert Canada and Montana |
Odessa Bennett | .. | costumer |
Carolyn Bentley | .. | key costumer |
Melissa Binder | .. | textile artist |
Ronda Borneman | .. | costume assistant |
Pamela Cameron | .. | set costumer |
Gloria Chan | .. | costume cutter |
Phuong Chau | .. | breakdown artist |
Luisa Dalmagro | .. | costume buyer |
Sandy Dunn | .. | seamstress |
Karen Durrant | .. | head breakdown artist |
Rhonda Earick | .. | costume ager/ dyer |
Wendy Foster | .. | seamstress |
Kirsten Franson | .. | costume illustrator |
Shelly Goldsack | .. | truck costumer |
Pilar Gonzalez | .. | costume assistant |
Tracey Graham | .. | set costumer |
Carole Griffin | .. | costumer co-ordinator |
J.R. Hawbaker | .. | second assistant costume designer |
Monica Haynes | .. | costume supervisor: los angeles crew |
Koreen Heaver | .. | costumer |
Tannis Hegan | .. | seamstress |
Kristi Hoffman | .. | costumer: Los Angeles |
Tina Ning Hsu | .. | seamstress |
Mary Hyde-Kerr | .. | bg and stunts set supervisor |
Nancy Jones | .. | costume assistant: Arikara Attack Calgary |
Brenda Knight | .. | costume cutter |
Rosalie Lee | .. | cutter |
Kim Lennox | .. | breakdown artist |
Cookie Lopez | .. | personal costumer: Mr. DiCaprio (as 'Cookie' Lopez Fahey) |
Jana MacDonald | .. | costume supervisor |
Deneen McArthur | .. | set costumer |
Tia McCurdy | .. | set costumer |
Daniel McGraw | .. | costume assistant |
Monique McRae | .. | assistant costume designer |
Brittany Morrow | .. | breakdown artist |
Vicente Parada | .. | costumer |
Jody Leanne Petford | .. | personal costumer: Mr. Hardy / personal costumer: Mr. Hardy, Argentina, California and Montana |
Nicola Ryall | .. | set costumer |
Ellie Schultz | .. | costume breakdown artist |
Briana Scott | .. | ager/dyer |
Lilly Sky | .. | stitcher |
Lianne Smith | .. | costumer |
Jillian Talley | .. | costume assistant |
Sharon E. Templeman | .. | truck costumer: Mr. DiCaprio (as Sharon Templeman) |
Christine Thomson | .. | costumer |
Rebecca Toon | .. | costumer |
Jenn Touchie | .. | junior breakdown artist |
Richard Wasnock | .. | leatherworker |
Levi Woods | .. | leather worker |
Petra Wright | .. | seamstress |
Tara Charran | .. | background truck costumer (uncredited) |
Editorial Department
Cameron Arguelles | .. | encoding and transcoding |
Katie Calhoon | .. | post-production coordinator |
Katie Connon | .. | second assistant editor |
Jodie Davidson | .. | colorist |
Chelsea Dinsdale | .. | assistant editor |
Flor Efrón | .. | assistant editor: Argentina |
David Gallegos | .. | Promo Editor |
Gladys Garcia | .. | post-production assistant |
Chris Giuffrida | .. | dailies assistant |
Michael Hatzer | .. | digital intermediate colorist |
Laura Holeman | .. | digital intermediate assistant producer |
Chris Jensen | .. | second colorist: Technicolor |
Joshua A.C. Johnson | .. | assistant editor |
N. Bantu Key | .. | colorist (as Ntana Key) |
Brandie Konopasek | .. | digital intermediate assistant producer |
Gray Marshall | .. | digital intermediate roto artist |
Zach Marshall | .. | assistant editor: EPK and BTS |
Lara Mazzawi | .. | assistant editor |
Alan Z. McCurdy | .. | vfx assistant editor |
Jamal McLemore | .. | assistant editor |
Richard B. Molina | .. | first assistant editor |
Stephen F. Newnam | .. | dailies coordinator |
Jennifer M. Nguyen | .. | post-production assistant |
Carrie Oliver | .. | finishing editor |
Jeff Olm | .. | colorist: Technicolor |
Bob Schneider | .. | senior finishing editor |
Patrick J. Smith | .. | first assistant editor |
Donald Thomson | .. | editorial production assistant |
Chris Van Duyn | .. | post-production: dailies operations-Technicolor |
Kenny Vicent | .. | dailies engineer |
Denise Woodgerd | .. | dailies producer |
Darin Wooldridge | .. | film out trim colorist |
Pete Conlin | .. | post production (uncredited) |
Valance Eisleben | .. | finishing editor (uncredited) |
Heather Goodwillie | .. | post production (uncredited) |
Jonathan Hoffman | .. | post production (uncredited) |
Location Management
Derek Bond | .. | location scout |
Bruce L. Brownstein | .. | location manager |
Mariano Cukar | .. | location scout: Location finder Argentina |
Mandi Dillin | .. | location manager |
Douglas Dresser | .. | location manager: Montana |
José Luis García Espina | .. | location manager |
Nancy Haecker | .. | location scout |
Edsel Hilchie | .. | location manager |
Emily Keller | .. | assistant location manager |
Craig Kemery | .. | trainee location manager |
Alexander McGregor | .. | assistant location manager |
John Minor | .. | locations scout |
Tim Moshansky | .. | location scout |
Robin Mounsey | .. | location manager |
Jason Nolan | .. | location manager |
Scott Nuttall | .. | location production assistant |
Brian M. O'Neill | .. | location manager: additional photography |
Kyle Oliver | .. | key assistant location manager: second unit |
Ben Owens | .. | location manager |
Brigette Pope | .. | key assistant location manager: los angeles |
Zachary Quemore | .. | key assistant location manager |
Stephen Rhodes | .. | location site rep |
Adam Silver | .. | location scout (uncredited) |
Music Department
Christine Bergren | .. | music clearance |
Joseph S. DeBeasi | .. | music editor |
Bryce Dessner | .. | composer: additional music |
Felix Ernst | .. | musician: frantic percussion ensemble |
Lynn Fainchtein | .. | music supervisor |
Jonathan Feurich | .. | recording engineer: percussion |
David Gutfleisch | .. | musician: frantic percussion ensemble |
Hildur Guðnadóttir | .. | musician: cello |
Richard Henderson | .. | music editor |
Conrad Hensel | .. | score mixer |
Stefan Karrer | .. | soundtrack album producer |
Kory Kruckenberg | .. | assistant score engineer: Pro Tools Engineer |
Gunnar Kötke | .. | musician: frantic percussion ensemble |
Tim Marchiafava | .. | Studio Assistant Engineer |
Northwest Sinfonia | .. | orchestra |
Daniel Orthey | .. | musician: frantic percussion ensemble |
Motoko Oya | .. | musician: ondes Martenot |
Alex Petcu | .. | musician: additional percussion |
Lucas Pimentel | .. | music editor |
Robert Puff | .. | music preparation |
Tom Russbueldt | .. | recording engineer |
David Sabee | .. | music contractor |
Steven A. Saltzman | .. | music editor |
Scott Michael Smith | .. | score mixer |
Curt Sobel | .. | music editor |
Dave West | .. | scoring stage manager |
Terry Wilson | .. | music editor |
Gabe Burch | .. | score mixing assistant: The Village (uncredited) |
Kris Dirksen | .. | Trailer Music (uncredited) |
Transportation Department
Michael Allegro | .. | generator operator |
Cesar Angobaldo | .. | transportation coordinator |
Blue Angus | .. | transportation coordinator |
Fabian Arroyo | .. | transportation |
Jim Barbaro | .. | driver |
Cathy Barillaro | .. | driver |
Kathy Beard | .. | driver |
Perry Burrell | .. | driver |
Scott Carpenter | .. | transportation |
Shelley Crooks | .. | Director's driver / driver |
David J. Duran | .. | edge transport driver |
Tim Fortin | .. | transportation captain |
Chuck Greig | .. | driver: vancouver |
Doss Griffiths | .. | driver: camera truck |
C.J. Hannis | .. | driver: cast |
Tara Howie | .. | office dispatch |
Diego Igartua | .. | transportation coordinator |
Paul Irvine | .. | transportation co-captain |
Adam Jeffrey | .. | biscuit tech |
Michael W. LeMaster | .. | production driver |
Wendy Longeway | .. | driver |
Chris Mandel | .. | Driver |
Chuck Martinez | .. | directors driver |
Katie McGaughy | .. | transportation office dispatcher: la unit |
Grant McPhee | .. | transportation coordinator |
Lorie-Lynn Miller | .. | driver |
Tyler Miller | .. | transportation captain |
Debbie Porter | .. | driver: cast |
Jason Reynolds | .. | driver |
Santos P. Rodriguez | .. | driver |
Dan Romero | .. | transportation captain |
Dayle Simpson | .. | driver: cast |
J.T. Thayer | .. | driver |
Ahluwalia Narinder Tiku | .. | driver: cast (as Narinder Tiku Ahluwalia) |
Bruce Toy | .. | driver |
Alejandra Vardé | .. | transportation assistant |
Steve Villasenor | .. | driver |
DeAnna Weippert | .. | driver |
Other crew
Dustin Lee Abram | .. | key on-set production assistant |
Mike Aichholz | .. | assistant accountant |
Eugenia Aladro | .. | Asst. Production Coordinator |
Leonela Alberto | .. | production assistant |
Edwin Amell | .. | security coordinator |
Jackie Andrade | .. | chef |
John Arbuckle | .. | assistant marine coordinator |
Tamara Arias | .. | production secretary |
Chris Austman | .. | photo double: Leonardo DiCaprio |
Brian Beaulieu | .. | production assistant |
Susan Becker | .. | wrangler office coordinator |
Maria José Belda | .. | asst. production coordinator: Argentina |
Lisa Berridge | .. | production assistant |
Tokala Black Elk | .. | adr voice (as Tokala Clifford) |
Emma Anne Black | .. | script supervisor: additional photography |
Igor Boshoer | .. | creative technologist: ILM |
Lori Boyle | .. | animal trainer |
Nick Bradford | .. | visual researcher |
Lianne Brandon | .. | security watchman |
Susannah Brengel | .. | accountant: pre-production |
Timothy Burd | .. | stand-in (as Wil Burd) |
Cameron Burrell | .. | set production assistant: los angeles |
Mandy Butler | .. | financial controller |
Tonantzin Carmelo | .. | adr voice |
Anita S. Chang | .. | assistant: Mr. Ratner |
Jill Christensen | .. | production coordinator |
Megan Clark | .. | animal wrangler |
Jessica Clothier | .. | script supervisor |
Jesse Collin | .. | stand-in |
Flor Colombatti | .. | Cast Support / production coordination: argentina |
Juan Pablo Colombo | .. | technical Coordinator - argentina |
Suzanne Crane | .. | security watchman |
Jason Crosby | .. | marine coordinator |
Jeffrey Cruts | .. | puppeteer |
Joel Cyr | .. | key production assistant |
Guillaume Dabinpons | .. | adr voices (adr voices) |
Jacqueline Dallamore | .. | assistant accountant |
Darrell Dennis | .. | adr: voice |
Brad DeWolde | .. | consultant |
Calsey Diggens | .. | production assistant |
Troy Dorchester | .. | wrangler captain |
Marilyn Dozer-Chaney | .. | creature fabricator: Legacy FX |
Edward Duggan | .. | fabricator |
Samantha Ellison | .. | script coordinator |
Craig L. Falcon | .. | cultural advisor |
Michael James Faradie | .. | stand-in: Mr. DiCaprio |
Adrian Fiszbejn | .. | production assistant: Argentina |
Natalie Haack Flores | .. | Assistant to Alejandro González Iñárritu |
Oscar J. Flores | .. | production coordinator |
Andy Fowler | .. | production executive: New Regency |
Suzie Fox | .. | production assistant |
John Frosst | .. | fabricator |
David Garonzik | .. | projectionist |
Alicia Gaynor | .. | office production assistant |
Jenna Giacomelli | .. | assistant: Mr. Lubezki |
Angela Elayne Gibbs | .. | acting coach |
Kim Goddard-Rains | .. | production coordinator |
Matt Goldstein | .. | set production assistant: additional photography |
Kerry Goulding | .. | production assistant |
Hans Grossmann | .. | production assistant |
Fabrice Grover | .. | french dialect coach |
Greg Grusby | .. | ILM executive staff |
Andrew Gutu | .. | key set pa: second unit |
Nancy Haecker | .. | scout |
Rowan Harland | .. | animal trainer |
Cherie R. Harris | .. | assistant: Ms. Parent (as Cherie Harris) |
Zack Hayden | .. | assistant: Mr. Golin |
Robin Haynes | .. | production assistant |
Audrey Hellmer | .. | assistant production coordinator |
Beth Henderson | .. | office production assistant |
Natalie Hicks | .. | assistant: Mr. Hardy / assistant: Mr. Hardy, Argentina, California and Montana |
Christopher Hickson | .. | leonardo dicaprio photo double |
Kathleen Higgins | .. | accounting clerk |
Jim Hill | .. | set medic: Argentina, Montana, Los Angeles |
Chris Hoffman | .. | assistant: Mr. Skotchdopole |
Craig Hosking | .. | aerial coordinator/pilot |
Jeff Hotte | .. | water safety |
Mark D. Houston | .. | post accountant |
Ryan Robert Howard | .. | staff |
Jessica Hoyles | .. | first assistant production coordinator |
Grace Illingworth | .. | production assistant |
Jason Inman | .. | set medic: Argentina, Montana, Los Angeles |
Gianna Isabella | .. | production assistant |
Lorraine Jamison | .. | unit publicist |
Voytek Jarmula | .. | production assistant |
Sarah Jarvis | .. | Accountant Trainee |
Thomas Jerry | .. | technology |
Jonah M. Johnson | .. | chef: Mr. DiCaprio / chef: Mr. DiCaprio, Argentina, California and Montana |
Quentin Johnston | .. | heat coordinator (as Johnston Quentin) |
Genghis Jorgensen | .. | production assistant |
Pat Jorowsky | .. | animal wrangler |
Paul Kahil | .. | assistant: Mr. DiCaprio |
Ian Melvin Kam | .. | medic (as Ian Kam) |
Christopher Klein | .. | assistant accountant |
Greg Knapp | .. | const/rigging medic: reshoots |
Mors Korchanski | .. | technical advisor |
Carl Lammi | .. | production assistant |
Jennifer Lamont | .. | first aid/ craft service |
Clay Landry | .. | technical advisor: wilderness |
Janet Lane | .. | payroll clerk |
Madison Lanting | .. | animal wrangler |
Monique Ledohowski | .. | assistant accountant |
Phillip K. Liesemer | .. | security watchman |
Laura Livingstone | .. | assistant production coordinator |
Mele K.T. Locey | .. | first assistant accountant |
Stephen Richard Lofstrom | .. | male stand-in |
Quillan Lowry | .. | animal wrangler |
Flemming Lund | .. | Assistant Location Manager |
Christian Macklam | .. | production assistant |
Elias Mael | .. | quality control |
Sean Wei Mah | .. | adr voice |
Devin Marshall | .. | water safety |
Doug Marshall | .. | security: Mr. DiCaprio |
Ryan Massel | .. | stand-in |
Carrie McCully | .. | caterer |
Malory McDonald | .. | assistant: Mr. Iñárritu |
Roland McFadden | .. | animal wrangler |
Tara Mews | .. | Assistant Production Coordinator |
Brent Middleton | .. | stand-in |
Veronica Miller | .. | assistant accountant |
Todd Minobe | .. | puppeteer |
Sarah Elizabeth Mintz | .. | Assistant to Director Alejandro Gonzalez Inarritu |
Amanda Miranda | .. | travel arranger |
Lina Montello | .. | production assistant: Argentina |
Josh Montes | .. | set production assistant |
Jeremy Muir | .. | armourer |
Tonissa Murdock | .. | assistant: Mr. Milchan |
Barry Murphy | .. | production assistant |
Damon Nelson | .. | trainer: Mr. DiCaprio |
Todd W. Nobles | .. | wrangler captain |
Mark Nugent | .. | wrangler captain |
Randa Nugent | .. | animal wrangler |
Adam Nusinow | .. | assistant: Mr. Kanter |
Matthew H. O'Connor | .. | marine coordinator |
Jennifer Omoth | .. | first assistant accountant |
Chris Papajohn | .. | marine coordinator |
Ty Patten | .. | animal wrangler |
Ryan Petey | .. | scorpio technician |
Jody Leanne Petford | .. | personal costumer for Tom Hardy |
Melodi Petrigo | .. | wrangler office coordinator |
Rachel E. Prentiss | .. | controller: additional photography |
Ana Maria Quintana | .. | script supervisor: Montana, Argentina, Los Angeles Unit |
Mark Rappaport | .. | puppeteer |
Tyler Reinhold | .. | Stand-In |
Jean-Michel Richaud | .. | voice: French Trapper |
Jarod Ridge | .. | assistant marine coordinator |
Reza Roohi | .. | security: Mr. DiCaprio / security: Mr. DiCaprio, Argentina, California and Montana |
Howard Samuelsohn | .. | dialect coach |
John Scott | .. | head wrangler |
Jenna Seger | .. | second assistant accountant |
Erin Shier | .. | production assistant |
Carmen Siegers | .. | second assistant accountant |
Andrew Simpson | .. | wolf sequence coordinator |
Brock Skretting | .. | trainee production coordinator |
Cody Smith | .. | animal coordinator |
Ankur Sohoni | .. | assistant: Mr. Redmon |
Christine Solberg | .. | cast liaison to Leonardo DiCaprio & Tom Hardy |
Adrian Spottedhorsechief | .. | technical advisor: Pawnee |
Vincent Stander | .. | production assistant |
Ryan Steacy | .. | weapons coordinator |
Kristy Suitor | .. | animal wrangler |
Logan Sutton | .. | additional consultant: Arikara and Pawnee |
Kim Thio | .. | paramedic: construction/rigging |
Jesse Thomson | .. | animal wrangler |
Kevin J. Tighe | .. | production office coordinator |
Sean Tighe | .. | production secretary |
Anthony Vlastas | .. | production staff |
Trevor Walker | .. | recruiter |
Ronald Walkshorse | .. | wagon master |
Ashley White | .. | production assistant |
Dwayne Wiley | .. | buffalo trainer/wrangler |
Roger Williams | .. | EPK/BTS Service Provider: Inspired Image Picture Company |
Marc Wolff | .. | aerial coordinator |
Christina Won | .. | Vice President: M Productions |
Richard 'Pookie' Woods | .. | assistant: Mr. DiCaprio / assistant: Mr. DiCaprio, Argentina, California and Montana |
Amber Woodward | .. | assistant: Mr. DiCaprio |
Lindsay Woolsey | .. | animal wrangler |
Tristin Woolsey | .. | animal wrangler |
Shannon Wright | .. | photo double: Leonardo DiCaprio |
Garth Yakymyk | .. | assistant accountant |
Loren Yellowbird Sr. | .. | technical advisor: Arikara |
Eric K. Yun | .. | assistant: Mr. Myers |
Jonah Zimmerberg-Helms | .. | puppeteer |
Tim Clawson | .. | executive vice president of physical production: New Regency (uncredited) |
Gideon Emery | .. | adr loop group (uncredited) |
Sheila Erdmann | .. | makeup fx office assistant (uncredited) |
Krystal Kelly Blacklock | .. | visual researcher to director (uncredited) |
Chase Kinsella | .. | photo double (uncredited) |
T. Michael Morris | .. | background performer (uncredited) |
Elliot Stewart | .. | production assistant (uncredited) |
Glen Talley | .. | native adr voice artist (uncredited) |
Thanks
Armando Bo | .. | Alejandro G. Iñárritu would like to thank |
Shelley Crooks | .. | thanks |
Alfonso Cuarón | .. | Alejandro G. Iñárritu would like to thank |
Guillermo del Toro | .. | Alejandro G. Iñárritu would like to thank |
Rodrigo García | .. | Alejandro G. Iñárritu would like to thank |
Angela Elayne Gibbs | .. | special thanks |
Krystal Kelly Blacklock | .. | Alejandro G. Iñárritu would like to thank |
Robert Neborsky | .. | thanks |
Gustavo Santaolalla | .. | Alejandro G. Iñárritu would like to thank |
Tom Shoval | .. | Alejandro G. Iñárritu would like to thank |
Judith Weston | .. | the director wishes to thank |
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- 2 Hours 36 Minutes
Leonardo DiCaprio stars in this visceral, epic adventure inspired by true events from writer-director Alejandro G. Iñárritu. While on a hunting expedition in the uncharted American wilderness, Hugh Glass (DiCaprio) is attacked by a bear and left for dead. Despite unimaginable grief and betrayal by his confidant (Tom Hardy), Glass must navigate a vicious winter in a relentless pursuit to live.
- Rent $3.99
- Buy $14.99
Leonardo DiCaprio stars in this visceral, epic adventure inspired by true events from writer-director Alejandro G. Iñárritu. While on a hunting expedition in the uncharted American wilderness, Hugh Glass (DiCaprio) is attacked by a bear and left for dead. Despite unimaginable grief and betrayal by his confidant (Tom Hardy), Glass must navigate a vicious winter in a relentless pursuit to live.
- Rent $3.99
- Buy $14.99
Ratings and Reviews
Critics Consensus:As starkly beautiful as it is harshly uncompromising, The Revenant uses Leonardo DiCaprio's committed performance as fuel for an absorbing drama that offers punishing challenges -- and rich rewards.
Heavy, punishing violence in DiCaprio's revenge Western.
Cast & Crew
- Cast
- Leonardo DiCaprio
- Tom Hardy
- Domhnall Gleeson
- Will Poulter
- Director
- Alejandro González Iñárritu
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See AllIñárritu and co-writer Mark L. Smith set their tone early, staging a breathtaking assault on a group of fur trappers by Native Americans, portrayed not just as “enemies” but a violent force of nature. While a few dozen men are preparing to pack up and move on to their next stop in the great American wilderness, a scene out of “Apocalypse Now” unfolds. Arrows pierce air and flesh as the few surviving men flee to a nearby boat. It turns out that the tribe is seeking a kidnapped daughter of its leader, and will kill anyone who gets in their way. At the same time, we learn that one of the trappers, Hugh Glass (Leonardo DiCaprio) has a half-Native American son named Hawk (Forrest Goodluck).
Low on men and hunted, the expedition leader Andrew Henry (Domhnall Gleeson) orders that their crew return to its base, a fort in the middle of this snowy wilderness. John Fitzgerald (Tom Hardy) disagrees, and the seeds of dissent are planted. He doesn’t trust Henry, and he doesn’t like Glass. In the midst of these discussions, Glass is away from the crew one day when he’s brutally attacked by a bear—the sequence is, without hyperbole, one of the most stunning things I’ve seen on film in a long time, heart-racing and terrifying. Glass barely survives the attack. It seems highly unlikely that he’ll make it back to the base. With increasingly dangerous conditions and a tribe of killers on their heels, they agree to split up. Most of the men will go back first while Fitzgerald, Hawk and a young man named Bridger (Will Poulter) will get a sizable fee to stay with Glass until he dies, giving him as much comfort as possible in his final days and the burial he deserves.
Of course, Fitzgerald quickly tires of having to watch a man he doesn’t care about die. He kills Hawk in front of an immobile Glass and then basically buries Hugh alive. As Bridger and Fitzgerald head back, Glass essentially rises from the dead (the word revenant means “one that returns after death or a long absence”) and begins his quest for vengeance. With broken bones, no food, and miles to go, he pulls himself through snow and across mountains, seeking the man who killed his son. He is practically a ghost, a man who has come as close to death as one possibly can but is unwilling to go to the other side until justice is done.
The bulk of “The Revenant” consists of this torturous journey, as Glass regains his strength and gets closer to home through sheer force of will. Iñárritu’s Oscar-winning cinematographer for “Birdman,” Emmanuel Lubezki (who also took a trophy for “Gravity” the year before and could easily make it three in a row for this work) shoots “The Revenant” in a way that conveys both the harrowing conditions and the artistry of his vision. The sky seems to go on forever; the horizon is neverending. He works in a color palette provided by nature, and yet enhanced. The snow seems whiter, the sky bluer. Many of his shots, especially in times of great danger like the opening attack and the bear scene, are unbroken--placing us in the middle of the action.
At other times, Lubezki’s choices recall his work on “The Tree of Life,” especially in scenes in the second half when Glass’s journey gets more mystical. And that’s where the film falters a bit. Iñárritu doesn’t quite have a handle on those second-half scenes and the 156-minute running time begins to feel self-indulgent as the film loses focus. When it centers on the conditions and the tale of a man unwilling to die, it’s mesmerizing. I just think there’s a tighter version, especially in the mid-section, that would be even more effective.
About that man: So much has been made of this film being DiCaprio’s “Overdue Oscar” shot that I feel like his actual work here will be undervalued. Make no mistake. Should he win, it will not be some “Lifetime Achievement” win as we’ve seen in the past for actors who we all thought should have won for another film (Paul Newman, Al Pacino, etc.). He’s completely committed in every terrifying moment, pushing himself further than he ever has before as an actor. Even just the physical demands of this protagonist would have been enough to break a lot of lesser actors, but it’s the way in which DiCaprio captures his internal fortitude that’s captivating—his body may be broken, but we believe he is unwilling to give up.
The minimal supporting cast is good, and it’s nice to see Gleeson continue to have an incredible 2015 (also in “Brooklyn,” “Ex Machina” and “Star Wars: Episode VII - The Force Awakens”). Tom Hardy is less effective, often going a little too heavy on the tics (wide eyes, shot up-close), but I think that’s a fault of the direction and not one of our best actors. In the end, this is DiCaprio’s film through and through, and he nails every challenging beat, literally throwing himself into this character that demands more of him physically than any other before.
What would you do for vengeance? What conditions could you surmount to get it? Or would you just give up? Our favorite films often drop questions like these into our lives, allowing us to appreciate the world a little differently than before we saw them. “The Revenant” has this power. It lingers. It hangs in the back of your mind like the best classic parables of man vs. nature. It will stay there for quite some time.
Note to movie pussies: The Revenant is not for you. Life put the screws to Hugh Glass, the real-life tracker and fur trapper played to the hilt and beyond by Leonardo DiCaprio. And director Alejandro G. Iñárritu, a groundbreaker from Amores Perros to Birdman, damn near tortures his cast and his audience in telling the story of Glass’ revenge against the varmints, headed by John Fitzgerald (a wicked-nasty Tom Hardy), who done him wrong. Set in the untamed West of 1823, it’s one brutal, badass epic. But hang on for its unforgiving 156 minutes and you get to experience the power of cinema unleashed. Iñárritu and cinematographer Emmanuel “Chivo” Lubezki — a true artist of light and shadow — shot on locations in Canada and Argentina. The visionary result is so relentlessly raw you can see the breath of the freezing actors, some of whom referred to the filming as a living hell.
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Watching the movie, you feel their pain. In loosely adapting Michael Punke’s 2002 novel, Iñárritu and co-writer Mark L. Smith spare nothing in immersing us in the savagery of Glass’ narrative. Before we can even get our bearings, Glass and his expedition, led by Captain Henry (Domhnall Gleeson), are attacked, arrow to the jugular, by Arikara Indians. Casualties are great, though Glass strives to protect his half-Pawnee son, Hawk (Forrest Goodluck). In a style reminiscent of Terrence Malick, Glass hallucinates about his dead wife. But the scenes feel more arty than artful. We’re relieved when Glass heads into the forest and a scene that will surely blow you away.
I’m talking about the bear, a mama grizzly who lays into Glass like a demon possessed. Early on, The Drudge Report mistakenly implied that DiCaprio’s character was raped by the bear. Everything but. Mama is just defending her cubs. But when she flips Glass over on his back, you can hear his bones crack. And then she comes back for more. When she claws at his face, Glass looks like something Freddy Krueger left for dead. The sequence is spectacular in every sense of the word. OK, the bear is a product of an expert visual-effects team. But not for a second will you doubt you’re seeing the real thing. This is one for the time capsule.
And the wonders rarely cease. Though Glass resembles a hacked side of beef, Henry instructs Fitzgerald and young Jim Bridger (Will Poulter) to stay by his side, if only to provide a proper burial. Fitzgerald’s mercenary reaction can be summed up in two words: Fuck that.
No one does villainy laced with traces of humanity like Hardy. Pleased to bury Glass alive, Fitzgerald heads off to line his pockets. But Glass won’t stay buried. He drags his carcass across mountains, rivers and rapids to exact retribution for the evil done to him.
That’s the movie. And a visceral punch in the gut it is. You could gripe about the excess of carnage and lack of philosophical substance. But surviving nature is Iñárritu’s subject, and he delivers with magisterial brilliance. As does the haunting score by Ryuichi Sakamoto, Alva Noto and Bryce Dessner.
And then there’s DiCaprio. Hidden behind a grotty beard, his words mostly reduced to grunts, he nonetheless provides a portrait of a man in full. It’s a virtuoso performance, thrilling in its brute force and silent eloquence. Nominated by the Academy for What’s Eating Gilbert Grape, The Aviator, Blood Diamond and The Wolf of Wall Street, DiCaprio is favored to win this time. But that’s not the point. His talent is. The Revenant shows DiCaprio stretching his acting muscles, testing himself, eager for challenge. That you do not want to miss.